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IMPRESSIONISM & POST-IMPRESSIONISM LATE 19 CENTURY - Coggle Diagram
IMPRESSIONISM & POST-IMPRESSIONISM
LATE 19 CENTURY
IMPRESSIONISM 1874 PARIS
manin idea
rejecting traditional studio art to paint outdoors directly in nature
focus
capturing natural light. weather changes, and real-life moments instantly
technique
fast, short brushstrokes with unmixed colors placed side-by-side
key figutes
claude monet, paul cezanne, alfred sisley
pointillism 1880s
main idea
applying scientific optical theories to painting
technique
using visual sings, metaphors, and imaginary scenes
key figutes
gustave moreau, odilon redon
symbolism
main idea
expressing inner feeling, dreams, and spiritual ideas rather than copying external reality
technique
using visual sings, metaphors and imaginary scenes
key figures
gustave moreau, odilon redon
late 19 century masters
vincent van gogh
used thick paint, intense color contrasts, and expressive brushstrokes to show deep emotion
edvard munch
painted tense, dramatic scenes about human anxiety
paul cezanne
focused on basic geometric scenes about human anxiety