Please enable JavaScript.
Coggle requires JavaScript to display documents.
Haydn 104 (1795) - Coggle Diagram
Haydn 104 (1795)
Melody & Theme
- Monothematic 1st Mvt w/ simple, diatonic theme + motifs for development
- Minuet with triadic melody in 3rd Mvt
- Croatian folk tune accompanied by drone-like pedal 4th Mvt + use of scalic passages and melodic diminution
Harmony & Tonality
- 1st Mvt: 7th chords (Em7 b.44, Amaj7 3rd inver, b.3
2nd Mvt: Modulations to G minor, B major, etc
- 4th Mvt: D major, modulates to dom. for 2nd sub.
- 4th Mvt: Chromatic chords, dim. 7ths, dom 7ths, strong cadences
Narrative & Programme
- Not programmatic, typical of all "high class
- Evocative - 4th Mvt: Croatian folk tune, drone-like pedal accomp.
- Evocative - 3rd Mvt: Styled in the form of a dance - simple textures, balanced phrasing, regular phrases, hemiola
Patronage & Commission
Desire to entertain
-
- Singable + memorable lines
- Playful with audience (general pauses for dramaticism)
Structural Developments
- 1st Mvt: Sonata form, monothematic
- 2nd Mvt: Ternary form wi/ theme + variation
- 3rd Mvt: Minuet (D) + Trio (Bb)
- 4th Mvt: Sonata form, monothematic, folk song inspired
1st Movement/Sonata Form
- Exp. Sub. 1 - b.17-49
- Exp. Sub. 2 - b.65-98
- Codetta - b.99-123
- Dev. - b.124-192
- Recap. Sub. 1 - b.193-207
- Recap. Sub. 2 - b.247-276
- Coda - b.277-294
2nd Movement
- Tripartite structure w/ variation
-
- Sturm und drang (4b into "B") = unexpected drama
3rd Movement
- Metric discplacement via hemiola + off-beat accents
-
- Each phrase begins w/ anacrusis
4th Movement
- Monothematic Sonata Form (falling fifth + countermelody)
- Begins w/ drone (tonic pedal) + Croatian folk-like theme
- Most technically complex despite simple opening
-
Dance, Folk, & National Style
- Mvt 4: Based on Croatian folk tune + opening features drone-like pedal accomp.
- Mvt 3: Includes dance-like musical features (simple texture, balanced phrasing, clear cadences, hemiola)
- Represents the zenith of Austrian German symphonic tradition