Please enable JavaScript.
Coggle requires JavaScript to display documents.
MODERN FICTION AND VIRGINIA WOOLF - Coggle Diagram
MODERN FICTION AND VIRGINIA WOOLF
MODERN FICTION EVOLUTION
SHIFT FROM VICTORIAN TO MODERNIST
IMPACT OF WWI
PSYCOLOGICAL FICTION (FORSTER, CONRAD, LAWRENCE)
EXPERIMENTAL NOVELS (WOOLF, JOYCE)
1930s REALISM AND DYSTOPIAN (HUXLEY, ORWELL)
THE STREAM OF CONSCIOUSNESS
FREUD: THE UNCONCIOUS MIND
WILLIAM JAMES: MIND AS A RIVER/LLUX
HENRI BERGSON: SUBJECTIVE DURATION VS MATHEMATICAL TIME
INTERIOR MONOLOGUE TECHNIQUES
INDIRECT: NARRATED THIRD-PERSON (WOOLF)
DIRECT: RAW FIRT-PERSON THOUGHTS (JOYCE)
VIRGINIA WOOLF (1882-1941)
BOOLMSBURY GROUP MEMEBER
CO-FOUNDER OF HOGARTH PRESS
MENTAL ILLNESS AND DEPRESSION
PIONEER OF FEMINIST ESSAYS
REJECTION OF CHRONOLOGICAL NARRATION
MAJOR WORKS
MRS. DALLOWAY (MODERNIST LANDMARK)
TO THE LIGHTHOUSE (INNER VISION)
THE WAVES INDISTINGUISHABLE VOICES)
ORLANDO (FANTAZY AND HISTORY)
ROOM OF ONE'S OWN (WOMEN'S RIGHTS)
MRS. DALLOWAYS (1925)
PLOT AND STRUCTURE
ONE DAY IN LONDON
CLARISSA'S PARTY PREPARATION
PARALLEL STORY SEPTIMUS SMITH
THEMES AND STYLE
TIME: BIGBEN VS SUBJECTIVE MIND
SEPTIMUS AS CLARISSA'S DOUBLE
MOMENTS OF BEING
LONELINESS VS SOCIAL CONNECTION
INDIRECT INTERIOS MONOLOGUE