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My Beautiful Launderette - Coggle Diagram
My Beautiful Launderette
Context:
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class, thatcherism , capitalism
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low budget film, commissioned for film tv slot - won several prizes + associated to British cinema renaissance
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Writer context:
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"My Son the Fanatic", "The Buddha of Suburbia"
"child of empire" - English mother + Pakistani father, upper-middle class family
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Overview, Themes, Characters:
Characters
Johnny
Played by Daniel Day-Lewis, Johnny starts as a disaffected, aimless working-class youth tied up with racist street gangs
Reconnecting with Omar—his childhood friend and lover—offers Johnny an escape from his bleak, violent environment. He goes from a slumping, disillusioned figure to a revitalized, cleaned-up co-owner of the laundrette
once employed and in a relationship with Omar, Johnny acts as the film's moral conscience. He warns Omar against becoming greedy as their business expands
"Ain't nothing I can say to make it up to you. There's only things I can do to show you... That I am with you"
Father/Hussein
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only way for an immigrant to succeed in life, education enlightens you
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Uncle Nassar
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wealthy, established South Asian immigrant who enthusiastically embraces Thatcher's deregulated economic policies, noting that there is "money in the muck"
Nasser is deeply traditional regarding his home life (maintaining a dutiful, uneducated wife) while leading a parallel life in an affair with a white woman, Rachel. He embodies the film's satirical, critical look at patriarchal hypocrisy
" In this damn country, which we hate and love, you can get anything you want. It's all spread out and available. That's why I believe in England. Only you need to know how to squeeze the tits of the system."
"I'm a professional businessman, not a professional Pakistani. And there is no question of race in the new enterprise culture."
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Salim
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Omar’s ambition is driven by a desire to create something tangible (the laundrette) and build a loving relationship, Salim represents ruthless, hollow capitalism. He has no loyalties and operates solely on financial gain and self-preservation
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Omar - Anglo-Pakistani
represents a fluid, hybridized identity. He openly pursues a same-sex relationship with a white working-class punk, directly rejecting traditional heteronormative and cultural expectations
Eager to elevate his status, he embraces a capitalist, entrepreneurial drive—even resorting to drug running for his family to fund his business
"When we were in school, you and your friends were kicking me around the place. And what are you doing now? Washing my floor and that's how I like it."
Johnny "You're getting greedy".
Omar: "I want big money. I'm not going to be beat down by this country".
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irony
between characters, dialogue, atmosphere, narrative + structure
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diaspora in UK
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forced to live in tension between assimilation + integration - Borderlands by Anzaldúa + Double Consciousness by Du Bois
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economic difference - this diaspora while treated badly + discriminated, they have been able to progress economically
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