Please enable JavaScript.
Coggle requires JavaScript to display documents.
What is Modernism?, Main artists in this movement, In 1909 declared “I…
What is Modernism?
-
-
-
DECENTERING MODERNISM
-
-
Harlem Renaissance
Aaron Douglas, Aspects of Negro Life: From Slavery Through Reconstruction, 1934, mural. New York Public Library,
Schomburg Center for Research in Black Culture
Archibald J. Motley Jr. (1891–1981), Blues, 1929.
Winold Reiss, Langston Hughes, 1925.
Uche Okeke
Uche Okeke, Fabled Brute, 1959. Lithograph,
-
In 1909 declared “I Manifesti Del Futurismo" by Filippo Tommaso Marinetti an Italian Poet announced the “death” of traditional art, calling for the creation of future art that adapts to the new era
“A racing automobile with its bonnet adorned with great tubes like serpents with explosive breath … a roaring motor car which seems to run on machine-gun fire, is more beautiful than the Victory of Samothrace.” - Marinetti
-
Giacomo Balla, Dynamism of a Dog on a Leash, 1912.
Oil on canvas, 2' 11 3/8" × 3' 7 1/4"
Eadweard Muybridge, “ The motion of a Horse”, a series of cabinet cards, 1878
-
Gino Severini, Armored Train, 1915.
-
-
-
Geogra Barque, The Portuguese, 1911.Oil on canvas,
3’ 10 1/8” × 2’ 8’’. Kunstmuseum Basel, Basel
-
Pablo Picasso, Pedestal Table, Glasses, Cups, Mandolin, 1911
-
Picasso, Les Demoiselles d’Avignon, 1907
-
ino Severini, Dynamic Hieroglyph of the Bal Tabarin, 1912, oil and
sequins on canvas, 161.6 x 156.2 cm (MoMA).
-
Diego Rivera “ from the Conquest to 1930”, history of Mexico murals
Fernand Léger, Three Women
(Le Grand Déjeuner), 1921. Oil
on canvas, 6' 1/4" × 8' 3"
-
Picasso, Braque, Severini
Anti-art Absurdity,
chance, provocation
Reaction to WWI trauma
-
1937 Nazi Exhibition
Modernism vs authoritarian tradition Attacked Expressionism, Cubism, Surrealism
-
-
Black cultural modernism
Re-centers African American creativity
Aaron Douglas, Jacob Lawrence
Jazz and Literary modernity
-
-
-
-
-
Myths, dreams, psychic reality
Reinventing symbolic language
-
-
-
-
formed in July 1923 through the union of two new forces in Japanese Western-style art (yoga): the artist Murayama Tomoyoshi (1901-1977), self-proclaimed interpreter of European modernism, and the already established Japanese Futurist art movement.
-
-
art should serve for the needs of people, Art is proganda
-
-
The bridge. The Die Brücke sought to create a “bridge” between the past and the new, liberated future in art and life. The texts call upon the new generation to carry out the future and freedom of life, rebellion against tradition, instead to explore, directness, authenticity and the freedom of expression.
