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External, Urban Modernity, Stream of Consciousness / Modernism, Free…

- - - - Free indirect discourse reveals inner life
      - Identity shaped by memory + perception
      - Clarissa’s selfhood emerges internally, not socially
    - - Extreme stream of consciousness
      - Benjy: pure sensory experience
      - Quentin: internal struggle with patriarchy + time
      - Jason: distorted internal monologue
      - Self fractured across perspectives
    - - Epiphany reveals inner truth
      - Paralysis understood through interior reflection
      - Gabriel’s identity shifts through internal memory work
    - - Modern inner consciousness fragmented
      - Self paralyzed by introspection
      - Identity rooted in psychological complexity
    - - “Eurydice”: reclaiming internal female voice
      - Poetics express inner resistance
      - Identity created from within rather than mythic patriarchy
    - - Immediacy of perception forms meaning
      - “Spring and All”: mind reconstructs world
      - Everyday objects gain value through internal perception
  - - - Blends internal psychological projection + external mystery
      - Ambiguity from tension between inner fear and outer events
    - - Inner longing (Innisfree) vs external political turmoil (Easter 1916)
      - Identity shaped by myth + personal desire
    - - Internal voice grows stronger
      - Yet constantly shaped by external male power
      - Story navigates between self-definition + social constraint
    - - Internal fear of weakness
      - External Igbo patriarchy enforces rigid masculinity
      - Colonialism disrupts both
    - - Self fluctuates between inner emptiness and external dependence
      - Identity = suspended between both realms
    - - Imagism imposes external formal rules; Metro poem captures the modern city in a single precise image.
      - Imagism blends external discipline with internal vision; Metro poem arises from the collision of urban reality and subjective imagination.