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Lithuanian photography - Coggle Diagram

- - - - formation of Lithuanian school of Photography
        
        key personalities
        
        Aleksandras Macijauskas
        
        Romualdas Rakauskas
        
        key characteristics
        
        reportage as a creative method
        
        ethnographical content
        
        humanist values
        
        psychological content
        
        large scale photo cycles
- - - - Objectification of a human being
      - Change of focus from a human to inhuman objects
      - Accidental moments
      - Monotonous visual form
      - Apparent lack of idea
      - Low technical quality, amateur aesthetics
      - Banal objects
      - Dreary spaces
      - Small formats
    - - Alfonsas Budvytis
      - Vytautas Balcytis
        
        "Счастье" фото 1986
      - Remigijus Placesa
      - Algirdas Seskus
      - Violeta Bubelyte
      - Gintaras Zinkevicius
- - - - Focus on art quality, aesthetics, autonomy of art world, individuality of an artist
    - - Relations to social, cultural, political contexts beyonf art field
  - - - Vytautas Stanionis “Passport Photographs of Seirijai Village
        Residents ”
      - Kęstutis Grigaliūnas.“We Are from The First deportation”
      - “Generation of The Place”. Group exhibition of artists born in the 1970-1980’s
      - Indrė Šerpytytė.
        “(1944-1991)”
    - - "Legendary past" Donatas Stankevicius
      - Visvaldas Morkevičius. „Lazdynai“
- - - - Posing for the photo camera becomes performative – it provokes self reflection, repetition of established social roles.
        
        We understand a person’s appearance or behavior in front of the
        camera according to “cultural schemes” – standard, repeated
        interpretations of certain behavioral models or images.
    - - Depends on the viewer's background
    - - It means that photography is a visual text, not objective reality