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Renaissance Music (1500–1600) - Coggle Diagram
Renaissance Music (1500–1600)
Context & Ideology
Humanism (anthropocentrism)
Inspiration from Ancient Greece
New musical style (no Greek musical models)
Main Characteristics
Polyphony dominates
Voices and instruments interchangeable
Growth of instrumental music
Organ
Harpsichord
Lute
Vihuela
Organization
Sacred Music
Secular Music
Court Dances
Dances
Pavane (slow, solemn)
Galliard (fast, jumping)
Secular Music
Spain
Villancicos
Pastoral poetry / serranillas
Romances
Dances (pavane, galliard)
International
Chanson (French, expressive, polyphonic)
Madrigal (Italian, madrigalisms)
Sacred Music
Mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei)
Motet (Latin, polyphonic)
Composers
Palestrina (Italy)
Josquin des Prés (France)
Tomás Luis de Victoria (Spain)
Juan del Encina (Spain)
Orlando di Lasso (Belgium)
John Dowland (England)
Rise of Renaissance Music
Printing press
Patrons
New audience