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ROMANTICISM, OIP (1), OIP - Coggle Diagram
ROMANTICISM
general context
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Historical Context
Kings: George III, George IV, William IV (Hanoverians)
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Key Concepts / Themes
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Childhood
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Children seen as pure, innocent, creative
Nature
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Rural life closer to nature, society as prison
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The Middle Ages
Cult of Middle Ages, revival of Gothic art (architecture)
Romanticism linked to medieval romances (heroes, supernatural)
Examples: King Arthur, Tristan and Isolde, Sir Gawain and the Green Knight
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The Sublime
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Opposes beauty (rational, proportioned)
Sublime: immediate, powerful, terrifying, often nature-related
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Exotic
Fascination with distant places (China, Africa) and times (Middle Ages)
Seen as opposite to industrialized, artificial world
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Revolutions and Reforms
French Revolution (1789): initial optimism, later disappointment (Robespierre)
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Industrial Revolution: began in England, warned against by Romantic poets
Consequences: urbanization, city expansion, consumerism, secularization, mechanization
historical events
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The decades of reforms
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interest in art and architecture (royal pavilion, regent street)
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death of george iv (1830), succeeded by william iv
great reform act (1832): extended voting rights to middle-class men, abolished “rotten boroughs”
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factory act (1833): protected workers, especially children
death of william iv (1837), succeeded by queen victoria
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William Blake
Poem: London
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“Chartered” streets = controlled by authority, economic interests
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Tone: accusing, indignant, sorrowful, bitter, nostalgic
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Life and Works
Pre-romantic, born 1757 during Augustan age
Humble origins, remained poor
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Political awareness: supported French Revolution, radical, freethinker
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Spiritual but not religious; used Bible as imagery source, rejected church institution
Few close friends, wife helped with engravings
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Published prophetic books with personal mythology (e.g., The Marriage of Heaven and Hell)
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William Wordsworth
Life
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Born in Lake District, 1770
Supported French Revolution, married French woman, left family in 1793 due to war
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Returned to Lake District in 1799, married again
The Lyrical Ballads
Collection by Wordsworth and Coleridge, versions in 1798 and 1800
1798 version anonymous, revolutionary impact on poetry
“Lyrical” = subjective; “Ballads” = inspired by Middle Ages, popular storytelling
1800 version includes Wordsworth’s preface, manifesto of Romanticism
Nature as pantheistic, source of joy, pleasure, and morality
Poetry defined as “spontaneous overflow of powerful feelings” from emotions recollected in tranquility
Poet as “a man speaking to men,” a prophet with greater sensibility
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Daffodils: Poem
Narrator’s mood: lonely, sad, melancholic
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Daffodils described as golden, precious
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Hyperbole: tens of thousands of daffodils, infinite universe
Lake “dancing” with waves, harmony with poet’s feelings
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