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Post-Impressionism, ) - Coggle Diagram

- - - - Street,Berlin 1913
        
        Ernst Ludwig Kirchner’s Street, Berlin (1913) is one of his most iconic works and a key example of his expressionist style. The painting depicts a busy urban street scene in Berlin, filled with figures, including two women in bright, attention-grabbing clothing. The composition is vibrant, intense, and charged with emotional energy. The painting reflects the emotional and social tensions of the early 20th century. Kirchner’s use of bold color, distorted forms, and fragmented figures captures the alienation, anxiety, and eroticism of modern urban life, making it a seminal piece of German Expressionism.
      - Ernst Ludwig Kirchner
        
        Ernst Ludwig Kirchner (1880–1938) was a German painter and printmaker, and one of the founders of the Die Brücke (The Bridge) movement, which played a pivotal role in the development of Expressionism in Germany.Kirchner served in World War I, an experience that had a lasting impact on his mental health and artistic output. He struggled with trauma from the war, which exacerbated his existing psychological issues,Today, Kirchner is recognized as one of the leading figures of German Expressionism, and his works remain influential in modern art history. His pieces are held in major museums worldwide, including the German Expressionist collection at the Berlin National Gallery.
- - - - Paul Signac's Golfe Juan (1896) captures the vibrant landscape of the French Riviera through the technique of Pointillism, where tiny, distinct dots of color create the scene. The composition features a panoramic view of the bay, with boats in the foreground and the distant shoreline bathed in light. The sky and water are painted in bold, complementary hues of blues and greens, while the warm oranges and reds of the boats contrast with the cool tones, emphasizing the effects of light on the scene. Signac’s meticulous use of color not only evokes the shimmering atmosphere of the Mediterranean but also highlights the fleeting moment of sunlight. As a Post-Impressionist work, Golfe Juan showcases Signac’s focus on capturing the essence of light and color, departing from traditional realism to express the emotional and optical effects of the environment, a hallmark of the Pointillist technique.
      - Paul Signac's Golfe Juan (1896)
- - - - Almond Flowers (1890)
      - Vincent van Gogh's Almond Blossoms (1890) is a vibrant, symbolic painting that reflects themes of renewal and hope. The composition centers on delicate white almond flowers against a bright blue sky, with twisting branches that suggest growth and movement. Van Gogh’s use of bold, contrasting colors—vivid blues, soft whites, and subtle pinks—creates a fresh, uplifting atmosphere. Painted during a period of personal recovery, the work symbolizes the artist’s hope for transformation, echoing the springtime renewal of nature. As a Post-Impressionist piece, it features expressive brushstrokes and emotional color choices that go beyond realism, imbuing the scene with personal and symbolic meaning.
- - - - Vision After the Sermon (1888)
      - Paul Gauguin's Vision After the Sermon (1888) features a striking composition where a group of Breton women, dressed in traditional attire, are seen in prayer, with a dramatic vision of Jacob wrestling the angel superimposed on the landscape. The figures are arranged in a flat, almost sculptural manner, set against a bold, red tree and a simplified background of rolling hills. Gauguin’s use of vivid, contrasting colors—particularly the deep reds, greens, and earthy tones—creates a symbolic and emotional intensity, emphasizing spiritual themes over naturalism. The painting departs from realism through its use of color and abstraction, hallmarks of Post-Impressionism, where Gauguin aimed to convey inner emotional and spiritual truths rather than mere visual reality. The work reflects his interest in the mystical and symbolic, blending religious themes with a modern, expressive style.
- - - - The cat with red fish 1947
      - vibrant and playful work that exemplifies his later style, particularly his use of cut-out shapes and bold colors. The painting features a cat, stylized with smooth, flowing lines, positioned near a bowl with red fish. On one level, the painting is a simple, almost childlike exploration of form and color. The cat, rendered with minimal details, contrasts with the bright red fish in the bowl, creating a dynamic tension between the calm, graceful cat and its potential prey. The colors—especially the striking red of the fish—can be seen as a metaphor for desire, movement, or the idea of predation. More broadly, the work reflects Matisse’s interest in simplifying and abstracting the world around him, focusing on essential shapes and colors to evoke emotion and meaning. The cat and fish could also symbolize a playful relationship between nature and art, as well as Matisse’s continued exploration of themes like still life, nature, and the human form, all while prioritizing color and shape over realism.