Please enable JavaScript.
Coggle requires JavaScript to display documents.
Themes of concrete poetry, Expansion, eDauroBike, concrete-poem Julian…
Themes of concrete poetry
cross-culture
Expansion
New form translation
changing the symbol only
The gray horse / The Dove
can be adapted to any language
"Silencio" by Eugen Gomringer
Cultural fusion
Breaking stereotypes
Cultural enrichment
learning about other cultures
Haiku poetry
limitations
Misinterpretation
cultural appropriation
limited audience
culture specific language/symbols
The literary aspect
Expansion
Transcending Language Barriers
Geometry
Expanding the Meaning
Innovative Use of Language
Innovative forms of art
DJ mix of a concrete poem
Dom Sylvester Houédard – typewriter poems
Oneohtrix Point Never
Limitations
Focus on visual aspect over content
Accessibility of themes
Cultural Reliance
Interpretation Difficulties
Nonsensicality
Kurt Schwitters – "Ursonate" (1922-1932)
Disability
Hard of Hearing
Expansion
help them understand the sounds
allows better engagement with the visuals
adding visual kinetics
enhances the use of other senses
gustatory and Olfactory poetry (focus on smell and taste)
Limitation
Deprived of the full experience
F. T. Marinetti – "Battaglia Peso + Odore"
A concrete auditory poem that talks about the sounds an the smell of the battle field
Audio link
Visually Impaired
Limitations
The accessibility of Visual elements
Lack of tactile choices
Reliance on Digital media
Uncertainty
The necessity of specialized formats
Expansion
Tactile Elements
Audio Elemets
Screen Readers
Braille (Code Poetry)
Interactive experiences
Wet cement
Julian Sterling, American