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WOYZECK
Directorial Concept, Scene Four, Scene Five, Scene Three, Scene…
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Scene Five
SOUND
Gestus
A leitmotif of marching drums and trumpets for an ostentatious enterance of The Captain (his pompous nature) - he has no concept of living as a poor man.
Historicisation & Verfremdung
I would underscore a critical, mumbled chatter that uses language and accent to suggest it is extracted from the 1913 audience - pre-recorded, non-diagetic - speakers situated behind the audience - employing Verfremdung, engulfind the audience in 1913 ideologies.
"You always look so wrought"
Singular out of tune violin note on this line that The Captain repeats - symbolises degredation of Woyzeck's self-confidence, respect and deterioration of his sane mind.
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This scene estalishes the idea of the lazy, over-confident middle class represented by The Captain; mocks Woyzeck but has no sense of morality himself.
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Scene 21
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SOUND
Distorted Sound
A piano and violin collaboration with a high level of dissonance talking inspiration from the German Expressionistic film 'The Cabinet of Dr Caligari' (1920).
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CANDLEABRA CHANDELIERS
I will adorn the stage space with candleabra candeliers attached to the ceiling that mirrors the luxury and opulence of the Rococo style in the Munich Residenz Theatre.
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Brechtian Transitions
Harsh error in the fluid soundscape of the coggs movement (from the previous transition - marks the start of the scene
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