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Chapter 21 - Coggle Diagram
Chapter 21
Romanticism
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Francisco Goya
Mechanical uniformity of faceless firing squad
Ragged, emotional targets
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The Burning of the Houses of Lords and Commons, J.M.W. Turner
Loose, expressive brushwork
Introduced distortions and exaggerations
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Blue Hole, Little Miami River
Original, poetic softening
Orchestrated light, color, and detail
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The Death of Sardanapalus
Diagonal composition with chiaroscuro recalling the Baroque
Loose, open style
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Realism
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-A style depicting the ordinary without idealism, exoticism, or nostalgia
-Reaction to both Neoclassicism and Romanticism
Gustave Courbet, The Stone BreakersNo -dramatization of struggle
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Rosa Bonheur, The Horse Fair
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Edouard Manet
-Combined flattened painting in the Japanese style with Courbet's realism
Luncheon on the Grass
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Neoclassicism
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David, The Oath of the Horatii
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Sculptural quality of figures
Angelica Kauffmann
-Overcame obstacles of women’s exclusion from professional art
Impressionism
“Impressions” of what the eye actually sees, rather than what the mind interprets
Painting
Claude Monet, La Gare Saint-Lazare (St. Lazare Station)
-Focuses on play of light amid steam of locomotive
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Impressionists
Small dabs of color that are separate strokes close up, blended farther away
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Renoir, Le Moulin de la Galette-
Interest in human drama balanced by interest in light filtering through trees
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Mary Cassatt
The Boating Party
Resemblance to Japanese prints
Subtle feminist content
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Photography
Timothy O’Sullivan, Iceberg Canyon
Stark, austere, and well-crafted
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Nadar (Félix Tournachon)
Recognized photography as a mechanical process
Exhibits link between Romantic painted and modern glamour portraits
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