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Here There and Everywhere - Coggle Diagram
Here There and Everywhere
Structure
intro
A
repeat A
B
repeat B
outro
Harmony
traditional functional harmony
clear cadences: enforces key
imperfect cadences at the end of the intro and A sections (ii-V7)
perfect cadence in B section (IV-V7-I)
plagal cadence to finish (IV-I)
closely spaced backing vocals: parallel motion triads
almost entirely uses root position triads
parallel motion A section (rising i-ii-iii-IV-V)
followed by conventional circle of fifths
Melody
Intro
rising triadic gestures
high vocal tessitura
McCartney's falsetto
A section
irregular phrase structures: bar 10-11
high tessitura: up to top A (tenor)
range: 9th
initially is disjunct: leap of 5th
syllabic text setting
Bm: jumps to a non chord note (top A) suddenly - appogiatura
anticipation
bar 8-11: more static and conjunct
B section
mostly conjunct: lots of 3rds
range: 7th
irregular phrasing
mostly syllabic/diatonic
little chromatic fill in the guitar (only melodic chromaticism you see in the song)
triadic movements
Coda
ends with rising tonic triad in "everywhere"
finishes in high G
almost entirely triadic material
Rhythm
passing note bar 2
turns to 7/8 2nd bar
B section: semi q + dotted q
B section: quavers, tied quavers
A: mostly crotchets with acciaccaturas
Texture
Tonality
diatonic
biii (BbM) bar 2
G major
B section: Bb Major
2nd repeat: V7 in BbM to transition
intersection: G minor and G major (BbMajor) VI