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ART HISTORY 4A, restricted, Sophie, download, composition: The…

- - - - Composition: A face that looks disorganized in the middle, with eyes, nose, and lips all out of place, and the contours of the face all twisted and cut into pieces.
        
        Color: Discordant color combinations, a sharp contrast of colors, creating a incongruous atmosphere.
        
        Tone: Green and yellow. Cold tone.
        
        Pattern: The woman's eyes, bombers hover over the town.
        
        Line: Thick black lines, handkerchief in jagged lines.
        
        Main idea: To express the scenes of heartbreak, pain and helplessness of people in the bottom society because of wars.
      - Picasso was born in Malaga, Spain, on October 25, 1881.
        In 1890, he moved to Barcelona and became exposed to different artistic styles and genres.
        He came to Paris, the creative centre in his life in 1900.
        Blue period (1901-1904)
        Pink period (1904-1906)
        Cubist period (1907-1914) abstract
  - - - color: Picasso used simple black, white, and gray colors to create a low and desolate atmosphere, rendering tragic vibe
      - form: Picasso used lots of geometric shapes in this painting. such as people's body, and the large triangle in the center
      - Background: in 1937, Picasso was invited by the Spanish Republican government to create a work of art for the Spanish pavilion. During this time, Spain was in the midst of a civil war between the Republicans and the Nationalists. The Basque town of Guernica was one of the bases of the Republican movement, as well as a center of Basque culture. Due to this, the town was targeted by the Nazi-assisted Nationalists and bombed on April 26, 1937, for two hours. Picasso was horrified by the state of his home country, began working on a large-scale painting based on the event.
      - Symbolism: Picasso used the images in his paintings to criticize the disasters that war brought to humanity. For example, the image of a bull and an injured horse. It metaphorically refers to the most innocent people in battle. And this person holding a torch looks very much like the Statue of Liberty. Symbolizing people's desire for peace and freedom. The person lying on the ground has a small flower in his hand, representing the image of a warrior, while the flower in his hand represents Picasso's praise of the warrior
      - style: cubism:In the picture, Picasso breaks through a single perspective and adds an invisible side to his painting style. such as the depiction of a bull's head on the left side of the canvas surrealism:This painting combines the characteristics of surrealism: combining the concept of dreams, it showcases the image world in the deep human psyche. In this painting, the depiction of surrealism deepens the meaning of the expression
  - - - oil on canvas
        114 x 146.4 cm
        Picasso first produced a sketched version of the work as early as 1940, Picasso again distorts the forms of the women sitting in the foreground, twisting their bodies into impossible contortions in order to present both front and back views to the viewer, Not only the study of the vine pattern, but also the nature of color, line and composition were seriously investigated
- - - - composition：Centered around the huge eye；The reflection of the sky and white clouds
        
        colour：The contrast between black and blue
        
        texture：smooth
        
        While "The False Mirror" may depict a blue sky and white clouds reflected in the retina, the blue sky and white clouds reflected in the pupil are not real; they are merely a natural illusion. The reality lies in nature itself.
      - Artist：Rene Magritte
        Country：Belgium
        Dob-DoD：1898—1967
        Painting name：The false mirror
        Year made：1928
        Media：canvas
      - Artist Biography
        
        René Magritte is a famous Belgian surrealist painter. He is known for his surrealistic style of artwork, often combining objects and landscapes from everyday life to create striking visual effects.
  - - - Color:The painting does not focus on light. Use color to express the texture of the suit. The color of the sky is grey, giving people a depressing feeling, which also makes us pay attention to the center of the picture, that is, the apple and the person, the green apple and the background color contrast. Apple as the center
      - The most thought-provoking part of the painting is that most of the man's face is obscured by a hanging green apple. However, although it appears that the apple covers the face, the entire outline of the face is not damaged, and the part of the man's eyes peeking at the apple can be seen at the edge
        
        “The son of man”
      - time1964
        Style surrealism
        
        composition: man apple hat sky
        Texture: smooth
  - - - Rene Magritte, whose full name was B. Francois Guislan Magritte, was born on 21 November 1898 in Lessines, Belgium. He died in Brussels in 1967 at the age of 69. The greatest achievement in the history of art is the creation of Surrealism, the first surrealist painter of his time
        
        Such a way of combining words and images forces us to question the importance of sentences and words
        
        The shape of the pipe is a representation, a mimicry, a symbol, not a reality, not a foreign object, not a concrete. This painting expresses the linguistic turn of human philosophy after Wittgenstein, and profoundly discusses the knowledge and signification of linguistics
        
        Cleverly highlighting the gap between language and meaning
        
        From the picture, the picture of the pipe depicted in this painting is very realistic, the black cigarette holder and the brown pipe set off each other, making the whole picture very three-dimensional. The white background of the pipe and the surrounding yellow walls form a strong contrast, making it impossible to ignore the existence of the pipe.
  - - - Spanish artist He excelled as an artist of extraordinary talent and imagination, and his work was a surprising mix of bizarre dream-like images with superior drawing techniques and painting techniques influenced by Renaissance masters.
      - The objects in "The Permanence of Memory" are symbols of soft and dysfunctional creatures, which express a certain pain and helpless reality of life. The theme of Dali's paintings is mainly inspired by Freud, which is mainly to express a dreamy and uniform world.
        
        It depicts a dead quiet wilderness. A sea as calm as a mirror, a flat beach, a desolate coast, and a square pedestal, a board, a tree that is impossible to appear in this environment. Three watches, like soft cakes, and an undeformed red watch, covered with black ants, and a fly resting on a soft watch on a square table were prominently displayed
        
        On the picture, people can clearly see the painter's various objects scattered in a disorderly manner, without a fixed position. Especially with the helpless style of the background, the whole painting gives people an illusory cold, feeling of loss.
        
        Background:The beaches and steps in the background are not in a perspective, each object has a real prototype, and at the same time, it is irrelevant and illogically organized together, showing extreme irrationality and absurdity.
        
        Dali juxtaposed, distorted, or deformed ordinary objects in a way beyond normal reason, while depicting them in detail, almost to the point of perfect fidelity, thus creating a hallucinatory sense of reality, allowing the viewer to see a strange and interesting scene that is impossible to see in real life
        
        The overall color of the picture is rich, clear light and dark, brown and yellow background, blue sky and orange cabinet color contrast strongly
  - - - Artist: Rene Magritte
        Country: Belgium
        Dob-DoD: 1898.11.21-1967.08.15.
        Painting name: The lovers
        The Year made: 1928
        
        Belgian painter. Early engaged in wallpaper design and commercial art. In the 1920s, he became very close to the Surrealists in Paris, and began to concentrate on painting, patriarchal surrealism. His early works include The Flying Statue (1927) and The Beautiful Captive (1931). Mature works are more colorful, objects are placed side by side, and the theme is often sea and sky. His masterpieces include "The Wind Will Change" (1928) and "Castle in the Pyrenees" (1959).
      - Composition: A couple of lovers are covered in the face, the face seems to be twisted together, but through the outline of the white cloth can be seen that they are kissing each other
        
        Color: Cool color tones, the overall appearance of gray dim, there is a weird feeling
        
        Tone: Grey, black, cool tone
        
        mian idea: A couple formed by two people who cover their faces, as if to confirm Erasmus' famous saying of "blind love", and as if to elaborate that two people cover the dark side of each other's hearts and become lovers, that is, like a masquerade, they meet because they do not know each other, and hide each other's ugly side behind the cloth.
  - - - The Menaced Assassin （1926-27） is another of Magritte's paintings that captures the mystery of Fantomas. The painting is derived from a scene in Louis Feuillade's Fantomas film of 1912. It depicts two figures concealed by the doorway, armed with strange weapons, watching the "murderer," who is dressed in a business suit. Fantômas , the film, was based on the thirty-two-volume series written by Pierre Souvestre and Marcel Allain, each of whom wrote alternate chapters. Magritte was fascinated by the character of Fantômas who can pass unseen through matter, defy the establishment, and subvert its order.
    - - Clouds, pipes, bowler hats, and green apples: these remain some of the most immediately recognizable icons of René Magritte, the Belgian painter and well-known Surrealist. He produced a body of work that rendered such commonplace things strange, slotting them into unfamiliar or uncanny scenes, or deliberately mislabeling them in order to “make the most everyday objects shriek aloud.”1With his pictorial and linguistic puzzles, Magritte made the familiar disturbing and strange, posing questions about the nature of representation and reality.
        Magritte began his career as a graphic artist and quasi-abstract painter, but his work underwent a transformation in 1926, when he began to reinvent himself as a figurative artist. A key canvas in this project was The Menaced Assassin, his largest and most densely populated painting to date.
- - - - Franz Malk was a German painter and member of the art group The Blue Knights. He was one of the greatest painters of the twentieth century and one of the founders of German Expressionism
      - artist：Franz Marc
        country：Germany
        period：1880.2.8—1916.3.4
        painting name:《blue horse,number one》
        year made:1911
        media:canvas
      - size:112cm*84.5cm
        
        complementary colours
        
        focus on essential color
        
        The horse is the main part
        
        twisted form
        
        flat，lack of perspective
        
        The sharp contrast of light
        
        very strong visual impact
  - - - Image of the painting
        
        Details of the painting
      - Artist Biography
- - - - 1860 born in France
        First he studied law and began painting because he was hospitalized.Later, he gave up his legal work and began to create art.Style:Bold color, simple shape and harmonious composition
      - Born in France
        (1869–1954)
        the name of the painting is “The Cat With Red Fish
        paint in 1910
        Create of reproduction
      - Composition: cat, fish,tank, window, wall, grass
        Texture:smooth
        Color:use Pure monochrome like yellow , red , green and blue
        Intuitive Application of color:no sense impact
        Putting the adjacent colors together makes the picture soft
  - - - Matisse's art is not a reproduction of natural objects, but a solidification of the painter's inner emotions on the picture. With the development of Fauvism, the unique art form created by using strong painting color language in the early 20th century was replaced by a quiet, harmonious and balanced picture form.
  - - - Perspective: No perspective use in the painting
        Composition: Window, indoor, outdoor, women, fruit and alcohol.
        Color: Complementary colors. (Red and Green, Blue and Orange)
        Tone: Warm and Cool.
        Pattern: pattern of branches
      - Henri Matisse was an artist often regarded as the most important French painter of the 20th century. He was the leader of the Fauvist movement about 1900.
  - - - Henri Matisse (1869-1954) was a famous French painter, sculptor, printmaker, founder and main representative of Fauvism
      - color:green、yellow、red、a little bit black
      - composition：apples、table、green of background
      - lightless