FOLK MUSIC
JAMMU AND KASHMIR
WANAWAN
CHAKRI
HARYANA
DHADI
HIMACHAL PRADESH
LAMAN
JHOORI
UTTARAKHAND
GHASIYARI
BASANTGEET
MADHYA PRADESH
PAI
ALHA
UTTAR PRADESH
HORI
KAJRI
BIHAR
SUKAR-KE -BIAH
SOHAR
ODISHA
CHATTISGARH
PANDAVANI
PALA
DAKSHATIYA
WEST BENGAL
BAUL
SIKKIM
TAMANG SELO
ARUNACHAL PRADESH
MIZORAM
SAIKUTI ZAI
CHAI HLA
ASSAM
BORGEET
ZIKIR
BIHU
OI-NITOM
LAI-HARAOBALSHEI
NAGALAND
HELIAM LEU
NEU LEU
HEREI LEU
HEKAI LEU
GOA
MANDO
OVI
KERELA
BHUTA
TELANGANA
OGGU KATHA
ANDHRA PRADESH
KOLATTAM / KOLANNALU
TAMIL NADU
MAHARASTRA
VILLUPATU
AMMANI VARI
NATTUPURA PATU
BHAVAGEETHE
POWADA
LAVANI
KARNATAKA
DOLLUKUNITHA
VEERAGHASE
BHAVAGEETHE
Saikuti, a poetess of Mizoram composed songs in praise of warriors, brave hunters, young men aspiring to be great warriors and hunters
As per Mizo custom during the Chapchar Kut festival not only singing, dance should also continue throughout the festival.
A three day long festival of Baul songs named Indo-Bangla Baul Music Festival concluded in Dhaka with performances by Bauls from India and Bangladesh. The program was organised to observe the 129th death anniversary of Baul saint Fakir Lalon Shah.
These folk songs are sung during the birth of a child. They are generally sung in Magadhi language. These songs are sung by women to bless the child and to portray customs and tradition sin their life. These are basically expressions of life to herald social celebration in a joyous manner.
It is sung during celebration of love between cosmological deities shukra and brihaspati
Ammanaivari are songs sung in praise of Chola monarch.
Ammanai is a wooden ball and the women folk sing appropriate songs while playing the ball.
this folk music consists of Gramathisai i.e. village folk music and Gana i.e. urban folk music.
The word 'Vilu Patu' means bow-song. It is a form of music theatre popular in Kerala and some parts of Tamil Nadu. Also famous as folk music in Tamil Nadu along with the bow. The lead singer plays the lead role. He also plays the main instrument in the shape of a bow. Literature revolves around religious themes and emphasizes the triumph of good over evil.
a folk singing style involving narration of tales from the ancient Indian epic Mahabharata. The singing also involves musical accompaniment. Bhima, the second of the Pandava is the hero of the story in this style.
pala is generally performed on the occasion of Ekousia (21st day of the birth of a child ,when the naming ceremony is observed or satyanarayana puja .
Daskathia is a form of ballad singing prevalent in Odisha. Daskathia is a name derived from a unique musical instrument called “Kathi” or “Ram Tali”, wooden clappers used during the presentation.
o The performance is a form of worship and offering on behalf of the “Das”, the devotee.**
Tamang Selo is traditional Nepali folk music and is performed to the sound of ‘Dhamphu’, which is a musical instrument and provides rhythm to the music. The style is popular among Tamang people and is practised in the culture of Sikkim and some parts of West Bengal. The music also includes traditional instruments like Madal and Tungna.
Kolattam is a folk dance from the states of Andhra Pradesh and Tamil Nadu. It is part of a religious offering, where women dancers pay homage to the temple Goddess in many regions of Andhra Pradesh.
bhuta song is based on superstitions. this is done to send away ghost and evil spirits. this ritual is acompanied by vigorous dancing and music that has piercing and eerie charecter .
JA-JIN-JA
NYI-OGA
Hori is a type of dhrupad sung on the festival of Holi. The compositions here describe the spring season. These compositions are mainly based on the love pranks of Radha-Krishna.
It is a Hindustani classical music genre, performed during the rainy season usually late June to September when lush greenery reappears and agricultural labor begins again.
It is often used to describe the longing of a maiden for her lover as the black monsoon cloud comes hanging in the summer skies, and the style is notably sung during the rainy season.
Folk music of Jammu and Kashmir. It is especially sung during wedding ceremonies and is considered very auspicious.
Chakri is a responsorial song form with instrumental parts, and it is played with instruments like the harmonium, the rubab, the sarangi, the nout, the geger, the tumbaknaer and the chimta.
It is performed in folk and religious spheres, by the Muslim and Hindu kashmiris.
Chakri was also used to tell stories like fairy tales or famous love stories such as Yousuf-Zulaikha, Laila-Majnun, etc.
Chakri ends with the rouf, though rouf is a dance form but few ending notes of Chakri which are played differently and on fast notes is also called Rouf.
It is a very important part of the Henna Night (Ma’enzi raat) during weddings.
Dhadi refers both to a genre of Punjabi music and the performers who play it: a distinctly composed ensemble of ballad-singers. After briefly sketching the long yet hazy background of the art, this article reconstructs its more certain and recent history so far as it can be gleaned from the oral accounts of living dhadi performers. Taken with evidence of recordings—some of the Punjabi industry’s earliest—and the memories of older audience members, a picture is presented of the dhadi genre in its heyday of the early 20th century.
In LAMAN a group of girls singing a stanza and boys give reply to their songs
interesting this is that girls sing from one peak of mountain and boys reply from another peak of mountain.
In between their hill which echoes their love song
most of these songs sung specially at KULU valley.
This type of songs is sung in respect to extra marriage interaction. The songs are usually associated with a dancing known by the name of “Jhoomar”, which is conducted by a woman.
Oggu Katha or Oggukatha is a traditional folklore singing, praising and narrating the stories of Hindu gods Mallana, Beerappa and Yellamma
Pai song is from Madhya Pradesh. This song is sung in the rainy season to pray for a good monsoon and a good harvest. Saira dance is also performed with this song.
It is a heroic ballad song. It is related to Mahabharata. It is sung in Braj, Awadhi and Bhojpuri languages.
It is sung by womenfolk while completing their household work. These folk songs are usually written for marriages, pregnancy and lullabies for children.
It is a unique blend of Indian and western musical traditions. Instruments used in Mando include Guitar, Violin and the Ghumot drum.
KUMMI PATTU
It accompanies the Kummi dance. It is sung during rituals and festivals throughout the state of Tamil Nadu.
Bhavageethe literally means ‘music of expression’; thus, the singer’s expression is the most important aspect of this folk music. It is associated with nature, love, etc.
It is vigorous dance based on hindu mythology and includes very high aggressive energy-sapping dance movements performed by janagama .
it is one of the dance possessions during dasara at mysore.
it is carried out essentially on all lingayat functions.
This folk song accompanies the celebrations of the Bihu festival and is associated with the ancient fertility cult. It is usually associated with nature, social message and love. Accompanying instruments are Dhol, Pipe, Gogona, Taal, Banhi and Toka.
This folk song is used to welcome the Basant festival in the Garhwal region. On the occasion of Basant Panchmi, designs are made on the floor with rice flour.
These folk songs are sung by womenfolk while collecting grass for their cattle. It emphasises the importance of labour apart from serving entertainment purposes.
A group of men and women singers perform this folk music.
It is sung when a marriage ceremony is concluded and the bridal party returns leaving the bride in her home. The theme is that of the joy. It contains pieces of advice to the bride for her future life.
WAR SONG
Heliamalu is a dance song composed by the younger as well as the older generations of the state, mainly with romantic themes chosen for the composition.
Hekailu is a song sung mostly by the older people which contains the narration of the youthful days.
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RAJASTHAN
PANKHIDA
TEEJ
MAAND
LOTIA
PANI HARI
These songs are sung by womenfolk while fetching water. They portray the scarcity of water and the long distance that women have to travel to fetch water. It also concerns the daily life of a village woman's relationship between her mother-in-law and sister-in-law.
These songs glorify the Rajput rulers. It is considered close to Thumri and Ghazal. It is believed to have developed in the royal courts.
It is sung by peasants of Rajasthan while working in the fields.
It is sung by women during the Teej festival. The festival of Teej is celebrated on the third day of the Shravan month of the Hindu calendar.
It is sung during the ‘Lotia’ festival, which falls in the Chaitra month of the Hindu calendar. Women bring lotas filled with water on their foreheads while singing this song.
Dollu Kunitha is a traditional dance form in Karnataka. Dollu Kunithâ is high on energy and performed all over the state during major festivals and celebrations. It is a popular folk dance associated with the worship of Sree Beeralingeshwara who is considered as a form of Lord Shiva, originated in the rituals of the Kuruba Gowda community of North Karnataka.
Zikir and Zari represent a musical genre of Assam; they are a group of devotional songs prevalent among the Muslims of Assam. Although Zikir and Zari are similar in tune, Zikir songs embody the teaching of Islam whereas the Zari songs are based on the tragic episodes of the Karbala tragedy.
"Oi Nitom", a traditional form of folk music that beautifully captures the rich Mising culture of Assam.
It is associated with SATTRIYA dance form it is composed to praise LORD KRISHNA
It adds spiritual dimension to sattriya performance
Powada is the traditional folk art from Maharashtra. The word Powada itself means “the narration of a story in glorious terms”. The narratives are always odes in praise of an individual hero or an incident or place.
OVI
They usually contain four small lines of poetry. These are usually songs written for marriages, pregnancy and also lullabies for children.
Bhavageethe literally means ‘music of expression’; thus, the singer’s expression is the most important aspect of this folk music. It is associated with nature, love, etc.
Traditional folk art form in which women dancers wearing nine-yard-long sarees in bright colours, make-up, and ghunghroos perform on dholak beats on a stage before a live audience.
Lavani has a history going back several centuries
It attained particular popularity in the Peshwa era in the 18th century.
MANIPUR
KHONJOM PARBA
SANA LAMOK
KHUBAK ESHEI
SANKEERTHANA
It is performed to narrate and deeds of lord krishna
Ballad genre which is a musical narration of the Battle of Khongjom fought between the British army and the resistance force of Manipur
Celebrated in rainy season within temple marking chariot festival of the lord . it is celebrated in manipur
Sana Lamok is sung at the time of coronation ceremony by the Maaiba (priest).
o It may also be sung to welcome the king. It is sung to evoke the spirit of Pakhangba, the presiding deity. There is a belief that this song is potent with magical powers.