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vijyanagar - Coggle Diagram

- - - - Gopuram
        
        Large temples -Rayagopuram-wood, brick stucco-
        Chola style
        
        Raya gopuram
        
        shalashikhara resembling a barrel
        
        Gods and Goddesses
        
        during Krishnadevaraya
        
        Chennakesava Temple, Belur, temple of Srisailam and Srirangam
      - Garbha griha
        
        Medium-sized temples
        
        shukanasi (antechamber)-external features
        a navaranga (antrala) connecting the sanctum and outer mandapa (hall)
        
        Hazara Rama, Balakrishna ,Vitthala temples at Hampi
        
        Larger temples- separate shrine for the female deity.
      - Vimana
        
        pattern -layered horizontal levels- repetitive shapes -garland, called Samvarna.
      - Paridakshinapath
        
        passage around the sanctum, an open mahamantapa (large hall), a kalyanamantapa (ceremonial hall) and a temple tank
        
        serve the needs of annual celebrations
      - wall
        
        Girijakalyan-the marriage of Parvat-Virupaksha Temple at Hampi;
        
        Shivapurana murals- Virabhadra temple at Lepakshi;
        
        Kamaakshi and Varadaraja temples at Kanchi
        
        wall paintings of Dashavatara (the Ten Avatars of Vishnu)
      - Mandapa
        
        ornate pillared kalyanamandapa (marriage halls)
        
        on square or polygonal plinths with carved friezes that are four to five
        
        feet high ,ornate stepped entrances on all four sides with miniature elephants, yali
        
        'Rangamandapa' - Vitthala Temple - 56 musical pillars.
        
        The Mantapas are supported by ornate pillars. The 1,000-pillared style with large halls supported by numerous pillars
  - - - bottom -
        engravings of Gods and Goddesses.
      - 1,000-pillared style with large halls
        
        1,000-pillared Jain basadi at Mudabidri
    - - Hoysala addition
      - black basalt pillar- Chalukya / Hoysala style
      - Hazaar Rama Temple in Hampi
      - Vittala Temple of Hampi
        
        56 musical pillars,
        
        SaReGaMa pillars
    - - charging horses or hippogryphs (Yali)
      - seven to eight feet tall.
      - mythology themed decoration
      - smaller pillars around a central pillar shaft.
      - Someshvara temple
        
        Yali pillars- large maha mantapa (main hall)
  - - - foliated brackets shaped as lotus buds
    - - e two-story pavilion
      - reception hall or meeting place for the emperor and his advisors
      - pyramidal roof capped
      - decoration in geometric and foliated motifs on the walls
      - cusped arches,
  - - - twenty-feet tall,
      - epresents Narasimha, the man-lion incarnation of Vishnu
      - yoga position beneath a seven-hooded serpent
      - the serpent, called Adisesha,
      - biggest monolithic idols of Hampi
    - - locally called Sasivekalu(mustard seed)Ganesha
      - snake carved around his tummy
      - southern foothill of the Hemakuta Hill
      - holds the goad, pasha (noose), and his broken tusk.
      - 8ft
      - built by a trader from Chandragiri (in present day Andhra Pradesh)in 1506 AD
      - Vijayanagara king – Narasimha II (1491-1505 AD)
    - - Badva means poor and Linga represents Shiva
      - commissioned by a poverty-stricken peasant woman
      - 3 meters.
      - largest monolithic Shiva Linga in Hampi.
        near Lakshmi Narasimha temple
  - - - called, "Pushkarni"
      - storage tank inside the royal center
      - chlorite schist slabs arranged in a symmetrical formation with steps and landings descending to the water on all four sides.
      - Manmatha Tank. near the Virupaksha Temple:
      - nearby Tungabhadra River through an aqueduct system
    - - in Hampi is a colossal bath
      - processions of horses, elephants, dancing girls and soldiers attired in splendid armour
    - - line of eleven chambers
      - opening onto a large open space.
      - exactly in the manner of a Muslim tomb
    - - (House of Victory
      - Hindu festival Navratri when the goddess Durga defeated the buffalo-demon Mahishasura.
- - - - Sivananabodam by Meykandar
      - Madai Tiruvengadunathar(court of the Madurai Nayak,)- authored Meynanavilakkam
      - Sivaprakasar, - Saiva philosophy
      - Varatungarama Pandya wrote Paditrruppattanthath
    - - Tiruvannamalai - 14th centurywrote Tiruppugal.
    - - based largely on the Sanskrit Skanda purana
  - - - ○ Devaraya II wrote two Sanskrit works, Mahantaka Sudhanidhi and a commentary on the Brahmasutras of Badrayana.
      - ○ Bommara Pothana popularly (Niyogi) translated the Bhagwat Purana into Telugu and also wrote Virbhadra Vijayam.
      - ○ King Krishnadevaraya in the early 1500s, Telugu was the predominant language in literature, and Krishnadevaraya himself wrote his most famous work, the epic poem Amuktamalyada, in this dialec
      - ○ Allasani Peddana (Andhrakavi Pitamha) wrote Manucharitam and Harikathasarammsamu.
      - ○ Ramaraya patronized Ramayama- tya, an authority on music. Tirumala commented on Jayadeva's Gitagovinda, Vaishnavite Saint Poetess Molla wrote Mollaramayana in the time of Tirumala. Bhattamurthi, a scholar wrote Vasucharita in times of Tirumala.
      - ○ Elugandi Peddana translated Leelavati, a maths book into Telugu.
      - ○ Dikshitar wrote a commentary on the Vedas and explained Advaita Philosophy Vemana wrote Vemanasatakas, moralist literature in Telugu.
      - Achyuta Raya Patronised Rajanatha and the poetess Tirumalambadevi who wrote Vardambika Parinayam.
  - - - ○ 2. Kumaravyas composed Mahabharta in Kannada.
      - ○ 3. Vithalnath translated Bhagwat Purana into Kannada.
      - Vaishnav Saints Purandhardas, Kanakdas and Sripathraja contributed to Kannada literature through Bhakti songs and Kirthans. Bhimakavi wrote Basava Purana
      - Chamarasa wrote Prabhulinglai.
      - Virupaksha Pandit wrote Chennabasva Purana.