Please enable JavaScript.
Coggle requires JavaScript to display documents.
MERCER OF VENICE - Coggle Diagram
MERCER OF VENICE
PLOT
the story Is BILOCATED
venice
populated by the most rich people, male centered world, public dangerous space
-
belmont
:woman::skin-tone-2:
-
:man-girl::skull: in order to protect :woman::skin-tone-2: and her :moneybag:he invented an ordeal: 3 caskets. the one that finds porzia's :frame_with_picture: has to marry her
-
prince of marocco and aragona, Bassiano :man::skin-tone-4:choses the right caskets-> :bride_with_veil::skin-tone-2:
-
themes: money, law, religions, freedom, classes
-
-
gratiano :man::skin-tone-5: gives voice and rappresents the more row materialistic part of the human nature, the most antisemistic voice
ACT 1
SCENE 1
-
-
Salarino and Solanio side characters that report back events or situations that are emotionally too charged to performers (unscenes)
-
+bassiano :man::skin-tone-4:, lorenzo :man:, :gratiano :man::skin-tone-5: - salarino and salanio
-
-
SCENE 2
-
Topics of the scene: Portias situation and the lottery, Narissa’s commentary, the list of the suitors, quick mention of Bassanio, fleeting reference of Bassanio and then the arrival of the fifth suitor
SCENE 3
-
Shylock keeps repeating :man::skin-tone-4: words, he is exasperating him. Sadistic pleasure in making the other suffer just a little bit by repeating his words and not answering.
word “bound”/“bond” > a legal term for contract and a bond between two people. Antonio and Bassanio will be bound
“Antonio is a good man”
By good shylock means > the gap that exists between the 2 cultures, connected on to money
:man::skin-tone-4:and Shylock misunderstand each other on this very fundamental word, these highlights the difference between their 2 cultures
-
Antonio and shylock are alter-egos, specular images of each other - that’s why they are bound
The bond between shylock and antonio is based on hate, on this disturbing element of two opposites who are at the same time two doubles
-
-
ACT 2
female focussed, choice, :four_leaf_clover:
-
-
SCENE 1
-
-
portia refers to her :eye: that cannot make a choice but we are reminded of bassianos’ words : her eyes gave me speechless messages. metaphor of the eyes.
-
SCENE 2
siloquio di LANCELOT (shylock servant) PSYCHOMACHIA, inner debate
the process of choosing is rappresented as this struggle between one part of the self and the other (l’IO scisso)
-
-
theme of difficulty of chosing, once you have choice you can't go back, choosing is kind of a sacrifice.
GOBBO: blind father of lancelot,
-
-
GENERES
TRAGEDIES
inevitable :skull:of both the innocents and the bad guys, the evil is so intense the only way out is ending the cycle
named after the name of the protagonist: a single male belonging to the highest level of society :crown:
-
COMEDIES
ends with multiple:bride_with_veil:-> in the romantic conception it means :baby: (symbol of future)-> cycle that continues
multiple charahters equally important, lower social class wealthy but not in charge, politically less relevant
the play beging in chaos-> sense of danger-> the characters are given a chance to find a way out -> :woman::skin-tone-2:character find the solution and makes it possible
-
The presence of evil is very powerful in comedies too, it doesn’t infect the protagonists but it’s there
HISTORY PLAYS
-
S wrote 10(king John, Harry the 4, Harry the 5, Harry the 6, Richard the 2, Richard the 3)