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BLACKMAGIC AND ITS CURSING, image, image - Coggle Diagram
BLACKMAGIC AND ITS CURSING
Faires,leprechauns, banshes,withches,holy wells
and rural remedies.
A righteous occult attack, a dark prayer for
terrible pain to blight evildoers.
Cursing is best understood as an art because its required knowledge,practice,still and composure.
Cursing was probably too common and catholic and certainly too distateful and subversive for these amateur scholars who focused instead on recording what they regarded as rapidly disappearing 'pagan survivals'.
Cursing featured heavily in many people's speech and personal interactions from day to day joyshing to terrible pronoucements that were remembered locally for generations.
For victims,it was threatening,disturbing and humiliating.
Cursing could be means of coercion, a cathartic fantasy of their enemies destruction or merely a way of showing off.
Those nasty practices had an extensive terminology of their own.
The words of curses and cursing did not really overlap with the vocabulary for witchcraft and piseogs, as evildoers spells were sometimes called.
There is an emotional perspective,evicted tenants consoled themselves with the thought that dire supernatural punishment awaited the new occupants.
Curse sprung from bitter passions at trying times. They expressed fear, loathing,hate,yearning for pitiless vengeance for punishments exceeding anything one could mete out physically.
Its terrifyingly brutal,mustering dark feeling that marked people.
Curses was not the eloborate, artful cursing of generations past, using complex formula and theatrical ritual to called down gruesome torture.
Not all type of blackmagic share the same chronology of rise and full, growth and decline, enchantment and disenchanment.
Cursing is best conceived of as an art because of the cultivation it required and the strength of the reactions it elicited.
