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Is subjectivity overly celebrated in the arts but unfairly condemned in…
Is subjectivity overly celebrated in the arts but unfairly condemned in history? Discuss with
reference to the arts and history
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Knowledge Questions
subjectivity
- how do we measure subjectivity?
- does art and history share the same idea of subjectivity?
- can subjectivity and objectivity co-exist?
- is it fair to compare subjectivity in art and history?
- should all AOK be treated fair in terms of subjectivity?
overly
celebrated
- do we celebrate all interpretations?
- if this is over celebrated than what is "fairly celebrated"?
- unfair compared to?
- celebrated? heh?
- are the experts denying the framework of art when evaluating an artwork?
- what does "OVERLY' means here?
- Celebrated? yes, Overly? HMmMm
unfairly condemned
- who condemned this?
- unfair compared to?
- what degree of subjectivity is condemned here?
- why ada but?
- is it unfair when we compare history with arts?
- condemned from which perspectives? audience? experts?
- is it wrong to unfairly condemned a perspective?
- are historical evidence like diaries, interviews count as “subjective”?
- how to know if it’s fair or unfair?
subjectivity
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in history : Historical subjectivity begins with the individual scholar's perception of her connection to, and distance from, the past, and it is sustained through the historian's decision to make that perception integral to her scholarship. Historical Subjectivity : A Review Essay
Oxford dictionary : the quality of being based on or influenced by personal feelings, tastes, or opinions.
overly celebrated
- To treat as more significant than is deserved
RLE 1
” art is not OVERLY celebrated, it just the way it is”
The Arts
Modern Art is meant to evoke open interpretations
Georges Seurat and Rene Magritte
- Magritte’s surrealistic paintings often cause his viewers to execute what psychology called a “cognitive closure,” which is described as the human desire to “fill-in-the-gap” and arrive at certain conclusions. This subconscious intention is the major driving force for people’s open interpretation of his works.
(the Seascape at Port-en-Bessin, Georges Seurat)
- depicts a natural seaside landscape with greenish hills and peaceful blue ocean. However, a closer look at this piece shows that hills may not just be composed of green, and the sea may not be represented only by blueish colors
- In addition, his use of colored dots also leaves an open interpretation of their use. “Are they used just to balance the mood? Or do they represent something present in the picture?”
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ARGUMENT 1
Subjectivity is needed in art and history to facilitate the knowledge produced. (not Overly and Unfairly)
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