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IDEOLOGY AND ART - Coggle Diagram
IDEOLOGY AND ART
Art and ideology
AUTONOMY OF ART
THE VIEW OF THE AUTONOMY OF ART HAS BEEN UNDERMINED BY THE IMPUTATION THAT ART OFTEN SERVES CERTAIN POLITICAL INTERESTS (IDEOLOGISED ART)
RELATIONSHIP
THE RELATIONSHIP OF ART TO THE CENTRAL CATEGORIES OF SOCIAL LIFE, SUCH AS POWER AND IDEOLOGY, HAS BEEN MULTIFACETED
IDEOLOGICAL ARTWORKS
TO BETTER FULFILL THE SET TASK, IT IS REASONABLE TO MAP THE PROBLEMATIC FIELD THAT WE WISH TO EXPLAIN USING THE CONCEPT OF IDEOLOGY
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IDEOLOGY
THE TERM ‘IDEOLOGY’ WAS FIRST INTRODUCED IN THE 18TH CENTURY BY THE FRENCH POLITICIAN AND PHILOSOPHER ANTOINE DESTUTT DE TRACY, WHO USED THE WORD IDÉOLOGIE TO SIGNIFY THE SCIENCE OF IDEAS
MARXIST VIEW
FALSE CONSCIOUSNESS IN THE WAY A PERSON EXPERIENCES THE WORLD CAN BE ELIMINATED IF THE UNDERLYING SOCIAL ANTAGONISM IS REMOVED IN SOCIAL LIFE
IDEOLOGICAL SIGN
ROLAND BARTHES’S SEMIOTIC IDEA OF THE IDEOLOGICAL SIGN, WHICH WAS INLUENCED BY MARXIST COMMODITY FETISHISM AND THE SURPLUS VALUE THEORY
POLITICS AND ART
INTRINSICALLY CONNECTED
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THUS, POLITICS ARE INTRINSICALLY TIED TO RHETORIC, THE ART OF ORATORY
IDEOLOGICAL PRACTICES
ANY PRACTICE, INCLUDING ARTISTIC PRACTICE, IS BASED ON THE IDEOLOGICAL PRINCIPLES CHARACTERISTIC OF A CERTAIN GROUP, FROM WHICH ONE’S SURROUNDINGS ARE EXPERIENCED AND COMPREHENDED
PROPAGANDA
PROPAGANDA IS USUALLY ASSOCIATED WITH SUCH AN ENTANGLEMENT, AND PROPAGANDA IS ASSOCIATED ABOVE ALL WITH GETTING PEOPLE (AN AUDIENCE) TO ACT IN A CERTAIN WAY
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POWER AND IDEOLOGIES
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APOLITICALITY
ACCEPTANCE OF APOLITICALITY AND AESTHETIC NATURE AS PROOF OF THE INTELLECTUAL VALUES OF THE AIMS OF POWER