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Classical Music - Coggle Diagram
Classical Music
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Romantic Era
Allegro-fast tempo , Very loud dynamics (fortissimo), Major and upbeat piece, Polyphonic textures used, full ochestra and 9 quaver beats per bar, strings and bass feartured at the start
Very dramatic mood created
Begins with quick flourishes played on strings at different pitches.
complex rhythms.
Use of pedal, large range of dynamics, time signature and use of candezas
use of broken chords (accompaniment)
Structure
tonality-major/mnor
key signature
time signature
how the tile of the piece relates to compositional techniques
Feartures carnaval - solo piano, repitition regulary used, pedal notes used, lot's of imitation in melody, it is loud f-ff throughout thi extract
has a grand majestic feel to it
homophonic texture
tempo-allegro
Difference between Classical and romantic music- bigger full of more instruments, polyphonic textures
Music sounds more intense, chromatissim, far more expressive, more tempo and dynamic changes, use of pedal in piano music is used extensively music of the classical period was mostly diatonic
Composers towards the end of the romantic era started to experiement using dissonance and usual tonalities to create more emotional depth.
condenza- used to show off skills of the performer and allow virtuiosic display so the solo instrument plays only, gets a chance to show off, taleneted performers.
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Reading Comprehension
Art has been an important part of commemorating the dead throughout human civilization
Mass-christian religious services, worship, sending people towards god and demising any quarrel between people and god.
During the Medieval, Baroque, and Classical
periods, composers wrote requiems with the
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many centuries, the texts of the requiem were
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Requiem Mass-
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often, but not always, performed at funerals.
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he endured, the Second Vatican Council felt it
still overemphasised fear and despair, so they
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Mass
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or “the dismissal is made”, often interpreted as
sending people towards God, or dismissing any
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made up of many prayers, many of which are
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Kyrie, Gloria, Credo, Sanctus, and Agnus Dei.
Notable composer
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inspired, including settings by Mozart, Verdi,
Berlioz, Dvořák, Fauré, Duruflé and others.
In the latter half of the 15th century, polyphonic
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During the Romantic period, composers wrote
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Dies Irae requiem- Very Loud dynamics Dramatic at the beginning
Texture- Homophonic- parts moving at the same time.
Big choir (ochestra)
Gradually fades off
Singing in unison