Botin
Site specifc-Context specifi
Encontrar un lugar
La práctica del artista de sitio específico
Desdoblamientos en otros espacios
La producción contemporánea en relación a un sitio específoco
Puntos de partida
Injerto
La producción artística como injerto
Injertarse en un lugar
RESULTADOS
Un proyecto de sitio específio
Proceso de investigación
Desdoblamientos para ser presentados en la exposición Botín
El acto de poner un organismo vivo en un otro anfitrion
Colonización en el espacio
Arabidopsis Thaliana
Un ciclo de vida en la biosféra
Organología
Creación de un instrumento de sitio específico
Panspermia
Yes, the panspermia theory is the hypothesis that life on Earth originated from microorganisms or other forms of life that were carried to our planet from elsewhere in the universe, such as comets, meteoroids, or interstellar dust. The theory suggests that these organisms may have been able to survive the journey through space and, upon landing on Earth, adapted to the planet's environment and eventually evolved into the diverse forms of life we see today. Panspermia is still a topic of scientific debate, and there is ongoing research to investigate the feasibility of this theory.
Despite the lack of direct evidence supporting panspermia, there are several reasons why some scientists find the idea intriguing. For one thing, studies have shown that some extremophile microorganisms are capable of surviving in the harsh conditions of space, suggesting that it is at least possible for life to endure a journey through the cosmos. Additionally, some of the chemical building blocks of life, such as amino acids, have been detected in meteorites and other extraterrestrial material, providing further support for the idea that life may have originated elsewhere.
However, there are also many challenges and uncertainties associated with the panspermia hypothesis. For example, it is unclear how life could have survived the intense radiation and other hazards of space travel, and there is no direct evidence of microorganisms or other forms of life in any of the samples collected from space missions. Furthermore, the complexity and diversity of life on Earth suggests that it may have arisen through a more gradual and complex process of evolution, rather than simply arriving on our planet fully-formed.
Overall, while panspermia is an intriguing idea, it remains a topic of ongoing scientific debate and investigation, and much more research is needed to determine whether or not it is a viable explanation for the origins of life on Earth.
Arabidopsis Thaliana that invites visitors to unlearn habitual ways of thinking about the environment and economics by exploring the inaugural moment of astrobotany in 1982. The installation uses counter-extractive approaches to examine the implications of growing plants in space, and questions the dominant extractive discourses and practices associated with astrobotany. Through a radio broadcast format, the installation recreates the moment when Arabidopsis thaliana was grown in outer space, and invites visitors to imagine alternative paradigms outside of market economy determinism. The exhibition is an immersive experience that encourages visitors to nurture an affective relationship with a plant and to contemplate what it means to be alive. The layout of the exhibition space is a 360-degree five-screen projection, inspired by the shape of the human vestibular apparatus, and the soundscapes fluctuate between transparency and hypermediation. The exhibition uses found objects such as a satellite antenna to provide a surface for Arabidopsis thaliana to grow on, and surveillance cameras to monitor the plant in real-time. Overall, the installation seeks to overcome legacies of the Cold War knowledge production apparatus, and weave potentials for a future outside of market economy determinism.
Arabidopsis Thaliana is an installation that challenges our conventional ways of thinking about the environment and economics. It centers around a historical event in 1982, when Lithuanian scientists grew a specimen plant called Arabidopsis thaliana in outer space, marking the birth of a new scientific field called astrobotany.- The exhibit invites visitors to explore the implications of this achievement beyond the dominant extractive discourses and practices currently associated with space exploration. Through a radio broadcast format, the exhibit recreates the moment when the Arabidopsis thaliana became world news, and encourages visitors to imagine alternative paradigms that could emerge from growing plants in space.- The installation also raises questions about the impact of colonialism and Cold War knowledge production regimes on space exploration, particularly considering the contributions made by communities historically obscured by these regimes. -Ultimately, the goal of Arabidopsis Thaliana is to instigate a deep, affective relationship between visitors and the humble plant, inspiring visitors to think creatively about ecological economics and to imagine new possibilities for our relationship with the environment. The exhibit draws inspiration from the fractal thinking methodology of Denise Ferreira da Silva, as well as the wisdom of thinkers like Octavia E. Butler, Lynn Margulis, Adrienne Maree Brown, and Luis Carlos Barrágan.
Site-specific and context-specific art are two approaches in which the artwork is created in response to a particular physical or conceptual environment. Site-specific art is created to exist in a specific location and is often created in response to the physical, cultural, and historical characteristics of that site. It can be in the form of sculpture, installation, or performance, and often utilizes the existing architecture or natural environment as part of the artwork. Context-specific art, on the other hand, is created in response to a particular social, political, or cultural context. It can be created in any medium and can take on many forms, such as painting, photography, or video, and often seeks to engage with and critique the specific context in which it is created. Both site-specific and context-specific art seek to engage the viewer in a deeper understanding of the relationship between art, environment, and society.
Llevar organismos vivos al espacio
Acoustic Fossil
Moonrock Project
Planetario
Site-specifi practice
Verbo Injertar
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The verb "to graft" refers to the process of joining two separate plant parts in order to grow them as a single entity. In art, this technique has been adapted as a sculptural methodology for the production of artworks and site-specific installations. The use of grafting as a sculptural method is particularly effective in creating works that are site-specific, meaning that they are designed to respond to the unique characteristics and context of a particular location.
Grafting allows artists to combine materials and forms that may not naturally occur together, creating unexpected and visually striking combinations. This process can involve taking multiple plants or plant parts and fusing them together to create a new hybrid form, or combining different materials such as wood and metal to create a single sculpture. The resulting artworks are often complex and layered, with each individual element contributing to a larger, cohesive whole.
In the context of site-specific installations, grafting can be used to create works that respond to the specific characteristics of a particular site. For example, an artist may use local plant materials and combine them with man-made materials to create a sculpture that reflects the unique ecology and history of a particular place. By grafting together materials that may not naturally occur together, artists can create artworks that are both visually striking and deeply rooted in the context of their surroundings.
Overall, the use of grafting as a sculptural methodology allows artists to create works that are both visually engaging and deeply rooted in the specific context of their creation. By combining different materials and forms, artists can create complex and layered works that challenge our perceptions of what is possible in art and nature.
This means that live exist across the universe. There for is not an empty place to be exploited
Probablility of life is unlikely
Cold War
The second one is perhaps broader, but totally inter-related: our shared interest in Cold War legacies. A key point/tension in our conversation is our shared understanding of the Cold War as a regime of knowledge production, and not simply a mere historical period or a simple military confrontation. We will come back to this point.
Sound
Sound
Resonace
Complex systems
Referencias
Nalin Chandra Wickramasinghe
The non-European provenance of the concept of panspermia, in the author’s view, has played no minor role in the development of prejudice against it as well as its persistence even to the present day. Such prejudice is reinforced nowadays by the power of the internet and Google in particular which invariably refers to panspermia as a “marginalized” theory that a majority of scientists choose to disown.
Planetary sensing Susane Winterling
Organología
Contemporary organology is the study of musical instruments, their classification, and their use in different musical genres and cultures, as it is practiced in the present day. This field of study encompasses the physical properties of instruments, their history, cultural significance, and their place within musical ensembles and traditions. Contemporary organology also examines the development of new instruments and technologies, and how they influence and are influenced by contemporary music practices. The study of organology is interdisciplinary, involving musicology, anthropology, engineering, acoustics, and other fields.