Please enable JavaScript.

Coggle requires JavaScript to display documents.

Feminisms - Readings - Coggle Diagram

- - - - 'the substantive effect of gender if performatively produced' (p. 33)
        
        'gender is always a doing'
        
        'no...becoming...the deed is everything'
      - 'sex will be shown to be a performatively enacted signification...that, released from its naturalized interiority and surface, can occasion the parodic proliferation and subversive play of gendered meanings' (p. 44)
    - - 'what circumscribes that site as "the female body"? (p 163/48)
      - Gender is 'constituted in time, instituted ub ab exterior space through a stylized repetition of acts' (p 171/56)
        
        the 'social audience' includes the 'actors'
        
        'the sparial metaphor of a "ground" will be displaced...[for] a gendered corporealization of time'
        
        'sustained social performances' --> 'the performative possibilities for proliferating gender configurations outside the restricting frames of masculinist domination and compulsory heterosexuality' (p 172/57)
  - - - 'Mobility in film implies more than the unfixing of such staples as time and space; it also points to the transformation and even the dissolution of key social institutions'
      - ' Film lends itself to the portrayal of change'
        
        ' assembling a self through and between porous multiplicities of recorded life' (p 4)
        
        'Bakhtin's idea of the subject is con- structed as an exteriority constituted through a dialogic interaction with the Other.'
      - 'fluid movement between peoples and places, gently teasing apart past and current rela- tionships and allowing for the establishment of new ones'
        
        'Following Crary, we might then chart the transformations and shifts in terms of practic{'s rather Ihan pict ures:' (p 9)
        
        city X identity - what about observing nature?
  - - - 'As David Delaney has written, "human mobil ity implicates both physical bodies moving through material landscapes and categorical figures moving through representational spaces.'
    - - flaneur on Paris' new boulevards (male term, urban, purposeless)
- - - - 'narrative space'
    - - '"gender is housed", one could also say, traversing the analytic approach to space'
      - 'architecture as a system of representation...the bodies that inhabit it as political constructs'
      - 'the interaction of
        sexuality and space is itself a passage'
      - 'Traveling in and out of the home, inside and outside space, binary oppositions are eroded'
      - 'Architectural space, like cinema, con- structs anatomical motion pictures'
        
        'Architectural space, like cinema, con- structs anatomical motion pictures, dy- namic trajectories of lived space and lived narrative.'
        
        'Sequences of views lodge corporeal stories, biographies, and the everyday by building the registers of private/public, domestic/ social, interior/exterior with the very geometry of their spaces'
      - 'this field of moving forces, the architecture of the body is designed: in a transitory space of traversing sites, one does not end where the body ends.'
    - - 'In these configurations of the act of screening, different forms of mediation, memory, and transformation can take place. This is what I call ‘the surface tension of media’.'
      - 'the surface [screen] is here configured as an architecture'
        
        'as a zone of encounter and admixture, a site of mediation and projection, memory and transformation'
      - 'architec- ture, fashion, design, film, and the body all share a deep engagement with superficial matters, we can also observe how surfaces act as connective threads between art forms and how they structure our communicative existence.'
      - 'A place of passage and a point of contact between worlds, the screen is a real medium. It continues to mediate today, crossing the borders of media in surface tension.'
    - - 'mobility [is] a form of cinematics'
      - 'is is also the case for the cinematic spectacle, for film is read as it is traversed and is readable insofar as it is traversable.'
      - space formed by interactions b/w movements and events
      - 'This new research on space and motion ultimately touches on internally mobilized territories?inner landscapes. '
        
        ' motion pictures move both outward and inward: they journey through the space of the imagination, the site of memory, and the topography of affect'
      - 'Architecture and cinema are permeable spaces. In between housing and motion, these spaces question the very limits of the opposition'