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CONTEXT - Coggle Diagram
CONTEXT
Shakespeare dramatises a major event in world history, the founding of the Roman Empire in 30 BCE.
Romes first emperor, Octavius Caesar, later called Augustus Caesar, has prominent role in the play.
OCTAVIUS CAESAR
His rise to power is steady and inevitable. He control much of the action in the play through his manipulation of other characters.
This control is matched in relentlessness by the iron control he excersises over himself - banishing himself from conviviality and emotion.
Perhaps, because Octavius' rise to power was so familiar to Shakespeare's audience, Shakespeare does not give this side of the conflict much emphasis.
Instead, he directs attention to those whom Caesar defeats; Antony and Cleopatra.
Shakespeare doesn't mitigate either the characters flaws that contribute to their defeat or bitterness of their loss but he also grants them opportunities to best their conqueror.
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Shakespeare also has them rise above their conqueror as they attempt to frustrate his dearest wish. Octavius wants to capture the fame of the defeated heroes by dragging them as captives through the streets of Rome in a triumphal procession.
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Much of what is presented in concluding acts is a struggle not over who will win the military contests but over which images of Antony and Cleopatra are going to be handed down through history - humiliated captives or triumphant lovers.
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Literary Context:
- Written around 1606-07, Antony and Cleopatra reflects the Elizabethan and Jacobean interest in classical history, with Shakespeare drawing from Plutarch's Life of Marcus Antonius for inspiration.
- The themes of tragedy, love, and political intrigue resonate with the contemporary audience's fascination with historical narratives, power struggles, and the human condition.
Primary Source:
*Biography of Marcus Antonius in Plutarch's 'Lives of the Noble Grecians and Romans'.
- which was translated into English by Sir Thomas North in 1579.
- North's language was so rich that Shakespeare incorporated large, relatively unchanged excerpts of it into his text.
- the plot of the play also remains close to North's history - although characters like Enobarbus and Cleopatra's attendants are largely Shakespearean creations.
PLUTARCH'S APPROACH:
- historical approach.
- focussing not only on battles and political treaties but also the looks and demeanour of his subjects and the complexities of their personalities - their desires, fears, strengths, frailties, and follies.
- Shakespeare learns from Plutarch, for example, that Cleopatra once smuggled herself into Julius Caesars presence rolled up in a mattress.
THE SHAKESPEARE TOUCH:
- In Plutarch's, Antony's marriage to Octavia lasts some years and produces children
- Shakespeare minimises the alliance by making it short lived and barren.
- It is Shakespeare's choice to lay great stress on the transcendent nature of the love between Antony and Cleopatra as his play reaches its conclusion - his lovers frequently compare themselves to Gods or demigods; Isis, Venus, Mars, Hercules, Aeneas and Dido.
- The mythological stories of these figures provide another range of source material accessible through classical works like Ovid's 'Metamorphosis'.