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How 'Nope' challanges our obsession with spectacles: The risk of…
How 'Nope' challanges our obsession with spectacles: The risk of gazing in our image-obsessed world
Jordan Peele
Representation
Interpretation
Authorship appropriation
Using satire to communicate a message
how it connects w visual
The audience
Visuals (iconography)
symbolism
Set designs
Theatrics
colors, typeface, the usual
Hues: ‘crafting a nighttime you’ve never seen in film history’ -Peele (vid on black joy)
https://variety.com/2022/film/news/jordan-peele-nope-tiff-hoye-van-hoytema-1235369341/
Sounds
the usual iconography
https://blogs.brighton.ac.uk/maxfilmblog/2020/06/08/blog-task-5-genre-analysis/#:~:text=The%20typical%20iconography%20of%20the,all%20incorporate%20the%20aforementioned%20iconography
.
https://books.google.com.sg/books?hl=en&lr=&id=AcBsjtkmPWkC&oi=fnd&pg=PA283&dq=iconography+in+film&ots=rQ2Sj1QJSH&sig=WUIE_Lh_ySKoaacpvRTnC_AmFRk&redir_esc=y#v=onepage&q=iconography%20in%20film&f=false
Guy debord
Homogenity
Alienation
Mass media
Fetishization of commodity
Theories
Film theories
how they arrange sets to be immersive