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ARCH3200 WK6 - Coggle Diagram

- - - - depict indigenous people as un-Australian in their claiming of land
      - explicit in the reporting of the palm island riots
    - - occurred in response to the death in custody of aboriginal man, Mulrunji Doomadgee
      - 147th death in custody after the RIADIC
      - He suffered broken ribs which ruptured his liver and spleen
      - the riot occurred a week after Mulrunji's death when the details were known to the community
      - riot involved approximately 400 people and subsequently 28 indigenous people were arrested and charged
      - the arresting officer Chris Hurley was found responsible for Mulrunji's death but was acquitted
      - the media portrayed the indigenous people as violent criminals
    - - the RCIADIC was established in 1987 in order to investigate the deaths of aboriginal people in custody
      - found that the media repeatedly reported on indigenous people as a problem and dissident disruptive or criminal
      - mentioned a criminals race if they were indigenous but not if they were not
      - media did not focus on 'positive' stories of indigenous people but reported the negative ones
    - - active listening: refers to the use of direct quotes from a source
      - categorisation: is used in order to label an object or event in a particular way, which will influence the audiences perception of that event or object.
      - Three-part list: is used to convince audiences of the extent of a particular event or incident
      - concession: are used by speakers when counter-claims are acknowledged but refuted
      - telling it like it is:enables the speaker to argue that they are simply 'presenting the facts'
      - victim blaming: works to imply that the cause of the problem of issue at stake is a result of the actions of the victim
  - - - Royal Commission Inquiry into Aboriginal Deaths in Custody
- - - - has been cantered around the failures in the provision of appropriate housing
      - housing for aboriginal people is now being constructed in and around metropolitan areas
      - these buildings are sometimes used to represent aboriginal people
      - there is a growing acknowledgement within mainstream architecture of a history of impositions os inappropriate models on aboriginal communities
      - Aboriginal client speaking, architecture listening
      - architect channelling what the 'other' is saying
      - this channelling gives the building a sense of authenticity
      - the colonial discourse created and entrenched specific and constraining concepts of Aboriginal identity
      - aboriginal clients input on productions gives it authenticity
      - there is a desire to coherence, an abstract spirituality, sacred truths, depth of meaning, closeness to the land and nature
    - - constructive relationships between aboriginal and non-aboriginal people can result in specific and complex representations
      - in mainstream architectural discourse, specific and complex representations continue to be undermined by stereotypes
      - culture is something that aboriginal people are forced to demonstrate their culture
      - Langton suggests there is a need to develop a body of knowledge on representations of aboriginal people
    - - the archaeological survey was concerned with "protecting" these rock art sites which make up eighty per cent of the known rock art of Victoria
      - the consultation process between the Steerling committee and Burgess was intensive and lengthy taking about 18 months
      - Koori communities see themselves not merely as contributors but as "playing a vital role in the concept, design development of the building"
      - the centre is a reassertion of the locals culture in the area
      - had to negotiate with the state over levels of funding
      - for Burges, it seems the project has been a continuation of a "journey of discovering and uncovering and mutual understanding and expression"