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The Living Handbook of Narratology: Narration in Film (Kuhn and Schmidt,…
The Living Handbook of Narratology: Narration in Film (Kuhn and Schmidt, 2014).
Definition
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b) to confront two (or more) comparable states through the combination of shots into sequences (i.e. the process of editing or montage in terms of classical film theory).
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Instead of a single, language-based narrator, the concept of a more complex “visual” or “audiovisual narrative instance” exists mediating the paradigms of overtly cinematographic devices
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consecutiveness that “gives rise to an unfolding structure, the diegetic whole”
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Explication
parameters either transcend or obscure the categories that have been gained in tracking narrative strategies of literary texts
Consistently, due to the hybrid and multimodal nature of film, an approach that examines narrative in film is per se more complex than a theory of literary narration
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Point of view
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different focusing strategies, camera parameters, montage and auditive elements
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