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(Kinder and Pender, 2014) “A copy of a copy of a copy: Framing the double…
(Kinder and Pender, 2014) “A copy of a copy of a copy: Framing the double in Fight Club”
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Narrator's split self
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haunted and possessed by Tyler—
the idealized, projected self that now threatens to replace its creator
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The narrator, posing as “Cornelius,” finds a reprieve from insomnia by “letting
go at the support groups.
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“every evening he died and every evening he was born
again. This method of escaping his own pain by basking in the pain of o th er
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a frame of cigarette smoke around her at most times, Marla blatantly disregards the
gender role of this support group
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Marla is revealed as our most reliable source of information, as she has
been all along
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Ending
When the narrator opens fire at Tyler, striking a van
narrator standing alone, screaming into thin air
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the narrator seems to have become a version or a copy of
Tyler Durden,
