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BRITISH FILM - NARRATIVE - Coggle Diagram
BRITISH FILM - NARRATIVE
FISH TANK
binary oppositions
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edgelands -- her environment parallels her personal journey - adolescence possesses an essential uniqueness of its own
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motifs
the prop of the camera
voyeurism, perception, seeing/not seeing, deception, limited worldview
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water
pivotal moments - rebirth, cleansing, catharsis
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ideological effects
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Connor as a hero who both transgresses and a villain with non-ideal traits - universally recognisable as a villain but exists as a hero to Mia who transgresses from her desire to escape by not allowing her escape, but perpetuating the cycle of neglect that she's in - a tension between multiple ideological effects
UNDER THE SKIN
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motifs
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consumption
sexual, material, natural -- commentary on human society, also value in consumption in helping to realise the journey
masks
body suit, helmet, lack of mask in disfigured man, makeup, gender as a mask
general
models of narrative
Todorov - equilibrium theory (equilibrium, disruption of equilibrium, recognition of the disruption, an attempt to repair the damage, new equilibrium)
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ideological effects
to escape, to return, a hero who transgresses, a villain with non-ideal traits