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DMA Document Second Draft - Coggle Diagram

- - - - tasklist
        
        add all missing recordings - Barinova for everything, and Kulka/Wilkomirska and others at the beginning. DONE
        
        add stuff from Liebeskind both to style and performance guide
      - Guide proper, sections
        
        First movement
        
        mm. 7-14 first theme DONE
        
        Tone quality DONE
        
        Intonation DONE
        
        Chord timing DONE
        
        Editions DONE
        
        Recordings DONE
        
        mm. 16-28 Link DONE
        
        Chords DONE
        
        Passages DONE
        
        Shifts DONE
        
        Rapid descending lines DONE
        
        Fingerings DONE
        
        mm. 23-28 DONE
        
        Recordings DONE
        
        mm. 42-57 Transition DONE
        
        Double stops DONE
        
        Editions DONE
        
        Articulation and dynamics DONE
        
        Bowings DONE
        
        Recordings DONE
        
        mm. 61-85 second theme DONE
        
        Editions and other sources DONE
        
        Recordings DONE
        
        mm. 89-107 closing section DONE
        
        Editions DONE
        
        Recordings DONE
        
        mm. 110-142 First theme-based area DONE
        
        mm. 110-131 DONE
        
        My own observations DONE
        
        Editions DONE
        
        Recordings DONE
        
        mm. 131-142 DONE
        
        Other sources DONE
        
        Editions DONE
        
        Recordings DONE
        
        mm. 143-163 DONE
        
        Sources DONE
        
        Editions DONE
        
        Recordings DONE
        
        mm. 176-197 DONE
        
        mm. 176-189 Cadenza DONE
        
        Sources and my observations DONE
        
        move comments on stroke and tempo here which are relevant DONE
        
        Editions DONE
        
        Recordings DONE
        
        mm. 190-197 Restatement of the first theme DONE
        
        mm. 198-211 Theme 1 area DONE
        
        Sources and my observations DONE
        
        Editions DONE
        
        Recordings DONE
        
        mm. 225-240 First theme – based transition DONE
        
        Editions DONE
        
        Recordings DONE
        
        mm. 244-270 Second theme DONE
        
        My observations DONE
        
        Editions DONE
        
        Recordings DONE
        
        mm 272-290 Theme 1-based-closing-section DONE
        
        mm. 272-282 DONE
        
        Sources and my observations DONE
        
        Editions DONE
        
        Recordings DONE
        
        mm. 282-290 DONE
        
        mm. 290-307 Coda synthesis area DONE
        
        Sources and my observations DONE
        
        Editions DONE
        
        Recordings DONE
        
        mm. 307-end remainder of the Coda DONE
        
        Sources DONE
        
        Editions DONE
        
        Recordings DONE
        
        Second movement DONE
        
        mm. 17-51 Section A DONE
        
        Sources DONE
        
        Editions DONE
        
        Recordings DONE
        
        mm. 57-92 Section B DONE
        
        Sources DONE
        
        Editions DONE
        
        Fingerings/bowings DONE
        
        Phrasing and dynamics DONE
        
        Recordings DONE
        
        mm. 93-128 Section A’ DONE
        
        My observations DONE
        
        Sources DONE
        
        Editions DONE
        
        Fingerings DONE
        
        Recordings DONE
        
        mm. 129-end Coda DONE
        
        Sources and editions DONE
        
        Recordings DONE
        
        Third movement
        
        mm. 10-48 Refrain DONE
        
        Sources DONE
        
        Editions DONE
        
        Fingerings DONE
        
        Recordings DONE
        
        2a. mm. 62-77 Episode I DONE
        
        Sources DONE
        
        Editions DONE
        
        Fingerings DONE
        
        Recordings DONE
        
        Notes from experience DONE
        
        mm. 112-42 (m135-142) Section A' - Refrain Shortened DONE
        
        Sources DONE
        
        Editions DONE
        
        Fingerings DONE
        
        Recordings DONE
        
        mm. 172-204 Section C - Episode II, violin statement with interruptions and repetitions
        
        Sources DONE
        
        Editions
        
        Fingerings
        
        Recordings
        
        mm. 208-33 Retransition
        
        Sources
        
        Editions
        
        Fingerings
        
        Recordings
        
        mm. 234-71 Section A'' - Refrain
        
        Sources
        
        Recordings
        
        mm. 271-307 Transition
        
        Sources
        
        Editions
        
        mm. 296-99
        
        mm. 300-07
        
        Fingerings
        
        mm. 272-75
        
        mm. 276-79
        
        mm. 280-83
        
        mm. 300-07
        
        Recordings
        
        Notes from experience
        
        mm. 308-321 Coda
        
        Sources
        
        Editions
        
        Fingerings
        
        Recordings
        
        2b. mm. 78-111 Retransition DONE
        
        Sources DONE
        
        Editions DONE
        
        Rehearsal E - mm. 78-93 DONE
        
        Fingerings DONE
        
        mm. 78-85 DONE
        
        mm. 86-93 DONE
        
        Rehearsal F - mm. 94-111 DONE
        
        Fingerings DONE
        
        mm. 94-101 DONE
        
        mm. 102-11 DONE
        
        Recordings DONE
        
        Notes from experience DONE
        
        Conclusion
    - - Assessment of violin editions, scores, and recordings. (actual judgment, not just introduction, which was done in Lit. Review)