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Narratology: Intro - Coggle Diagram
Narratology: Intro
Frequency
numerical relationship
events in fabula
in story
repetition
paradoxical side
verbal
two literally identical texts
not identiical
two events never same
1st event
differs from the following
second frequency
events
happen often
presented often
nature
banal the event
repetition
number of times
stylistic variations
iterative presentation
retroversion
internal
anticipation
ellipsis
heterochrony
difference
multtiplicity
multi-temporality
predominance of measurable
linear time
social life
paralysing contradiction
suffer from
subjective experience
temporal texture
cultural world
Space
sandwiched
space constitutes
place
category of fabula elements
visuality In narrative
places
points of perception
characters
live it
brings senses
frame
inner space
experienced as unsafe
outer space
liberation and consequently, security
perceptual representation
sight
hearing
touch
tactile perceptions
proximity
visually
shapes
colours
sizes
sound
taste
rarely relevant
narratives
meaning
reject
change
situated in relation to
invasion and destruction of space
objects
spatal status
shape
measurements
colours
semantic content
arrangements
medieval literature
locus amoenus
relations
various aspects
stereotypical combinations
modern literature
Sequential ordering
latter sequence
theoretical construction
laws of everyday logic
one
cannot arrive in a place
set out to go there
common reality
the reader
assumptions
narrative effects
information
ordering of events
sequence in fabula
explicit
indirect indications
arts
architecture
visual arts
written text
linear
one word or image
follows another
double linearity
series of sentences/ sequences
deviations
intense reading
conventions
intricate
greatest exertions
effort
reflect
elements
aspects
artistic convention
aesthetic
psychological effects
suspense
interpretations of an event
expectation
realisation
retroversions
external
indications
antecedents
interpretation of events
internal
primary narrative
internal retroversion
compensation for a gap
information not complete
chronological succession
Focalization
vision
point of view
certain way of seeing
certain angle
objectivity
what is perceived
perception
psychosomatic process
received object
relation
vision
what is seen
narrative text
events
succession
causal relation
semiotic activity
theory
narratological concepts
visual narrative
manipulative effect
memory
vision of the pastt
unreliable
traumatic events
space and time
evoke past
suspense
difficult to analyse
narrative rhetoric
shelved
answers are postponed
reader manipulated
Time
events
processes
change
development
presupposes
certain period of time
certain order
unity
classical tragedy
techniques
time sequence
elimination
elimination
sequence of chronology
sequence
logical concept
Location
events
happen somewhere
reader
imagine scene
imaginary place
subdivision of location
gain insight
opposition
meeting place
city and country
constructions
logic
traps and tools
binary opposition
temporality
time given
self-evident
narrative
theatre
film
video
dance
music
arts
unfold in time
purpose
narratives complicate
self-evident temporality
means of clocks
schedules
forms of regimentation
incorporated
interiorised
conflicts
naturalised
routine of small acts of care
experience of time
no longer continuous
micro time
thick and complex
imagine the life
undocumented immigrant
impressively complex
loss of opportunity
new
language
skills
friends
day-to-day
long-term sense of time
history
monumental time
historical time
eternity