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Plato and Aristotle - Coggle Diagram

- - - - prisoners are trapped in chains behind a rock, facing a wall. There is a fire behind the rock, illuminating the wall, and men walk across the fire creating shadows. The shadows are all the men know, and believe them to be reality. However one day, a prisoner escapes from the chains and moves out of the cave in a painful journey to the bright outside. Once outside, his eyes are not adjusted and it is very bright, so he starts by looking at shadows of things, to slowly build up his vision, to the point where he can finally look at the sun and see the world clearly. He goes back to the cave to free his fellow prisoners, but they don't believe him and kill him.
      - This is an allegory for the world of the forms: the cave is our world, and the shadows the illusions of our reality. The journey to the outside represents the struggle in learning and expanding our mind through philosophy. The outside is the world of the forms. The sun is the form of the good. the prisoners killing the freed man is representative of how we are hesitant to open our minds as displayed by the killing of socrates
    - - there are two world: our world and the realm of the forms
      - Our world is materialistic and flawed, whereas the realm of the forms is perfect and transcendent
      - everything in our world is an imitation of the forms, and is flawed in some sense
      - before we were in the material world, we were in the realm of the forms, which is why we can recognise abstract concepts e.g beauty from a young age, and recognise objects even though they are different e.g we can recognise chairs even when they differ in size, colour etc, because we know the perfect form of the chair
    - - the highest of all the forms
      - it is the form of perfection itself and illuminates all other forms
    - - There is no limit to the extent of the forms, life is too complex and varied: if it works for particulars, are they generalised particulars e.g perfect form of a plant or is it specific e.g perfect form of a rose, if so what species, and what colour. From that point you end up with so many variations e.g perfect form of red dublin rose with 100 leaves, 101 leaves etc, until it continues for infinity
      - Plato never gives us any actual reason to believe in the realm of the forms, he just says it is so
      - Plato never actually specifies what can and can't be a form: is it just abstract concept such a beauty and justice, or is it for every single thing, even undignified things e.g mud and dirt, or negative qualities e.g the perfect form of jealousy, which seems wrong. the forms are a 'bottomless pit of nonsense as Russell describes
      - How do metaphysical things interact with a physical world. Also, plato says that our physical world is not real, yet it feels pretty real.