In the centre of the stage I would have a large open fire pit, that was controlled by gas. This would serve as a contemporary adaption of the original script's use of fireplace in Hedda's living room. Throughout the play the fire would be continuously burning to constantly symbolise an underlying theme of danger throughout the piece. In moments of high tension, such as when Hedda burns the manuscript, the fire would burn brighter, with larger flames, to physically emphasise the dangerous nature of her character. I would also use a shiny fire cover over the flame to highlight Hedda's glossy exterior concealing her inner anger and rage (symbolised by the fire)> This directly inspired by Ibsen's original set, where he had a glossy fire place exterior.