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Music unit 6 and 7 - Coggle Diagram

- - - - Musicians broke with tradition and started to seek innovation
    - - The expansion and abandonment of tonality
      - The use of new sounds or noises in musical composition
      - The emancipation of the rhythm of the time signature
  - - - Germany
    - - Italy
    - - Germany
  - - - Some composers created musical graphs
        
        Atonality
        
        In some styles, thte main melody dissapear and texture became important
        
        Rhythmically
        
        New timbres
    - - Musique concrete
        
        Electronic music
        
        Serialism
        
        Aleatory music
        
        Minimalism
    - - Generation 51
        
        The spanish music conected with the global musical avant-gardes
      - Many composers went into exiles because of the civil war
  - - - Off beats, dominant role
      - Spread to many countries
      - Jamaican beats and Afro-American music
      - Bob Marley, Jimmy Cliff and Gregory Isaacs
      - 1960s
- - - - the use of musical elements that identify with the compsoer's home country or that provide inspiration for original works
      - it's rooted in cultural self-assention in countries on the periphery of Europe in rection to the dominent classical Europena tradition.
      - the use of extra-musical elements.
      - the consolidation of program music.
    - - In the late 19th century a number of Spanish composers failed in the attempt to create a Spanish opera and, until 20th century there were few symphony orchestras. This lead Spanish musicians to want to bring back folklore and works from the past.
    - - Scandinavia
      - The Americas
      - Bohemia (Czech Republic)
      - Spain
      - Russia
      - Hungary
  - - - Ancient, traditional and exotic modes from all over the world are used.
      - Sound arises from ambiguous chords without a defined key, producing an effect of change and mutsbility
      - The musical atmosphere is vague, like the patches of colour in an Impressionist painting, and has constant rhythmic changes.
      - Composition is originased in very free forms.
      - The melody is not highlighted. Phrases are fragmented and uneven. The cadences are not clearly heard.