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NATIONALISM AND IMPRESSIONISM IN MUSIC mid-19th century - Coggle Diagram
NATIONALISM AND IMPRESSIONISM IN MUSIC
mid-19th century
The rise of musical nationalism
Characteristics
Use of musical elements identify with the composer's home country
Rooted in coultural self-assertions in countries of the periphery of Europe
Use of extra-musical elements
Legends, historical events, literary works, paintings and landscapes from the country
Consolidation of program music, especially in short piano works in minor forms and in orchestralpieces in the form of the symphonic poem.
most important nationalist school
Russia
Bohemia (Czech Republic)
Scandinavia
Tha Americas
Spain
Hungary
The Spanish nationalist school
A number of Spanish composers attempted to recover their past and musical indentity
The visual evocation of musical Imprsessionism
The melody isn't highlighted
Musical atmosphere is vague
Ancient, traditional an exotic
Composition is organised in very free forms
POP music
Michale Jackson
End of 1950s
from Rock & Roll and other fashionable music genre
Characteristics
Short songs
verse chorus form
Catchy tunes