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THE 20th CENTURY - Coggle Diagram
THE 20th CENTURY
Musical Innovations Up To 1950
Futurism
was added as raw material for composition
music progressed in line with technological developments and their sounds
noise, was previouly in musical art
emerged in Italy
Luigi Russolo
Edgar Varèse
George Antheil
Neoclassicism
simplicity and variety and used and forms from the history
based on tonality
reaction to muscial experimentation
Post-Roamnticism
large orchestra
numerous long works
developed in Germany
Richard Strauss
Gustav Mahler
Expressionism
expressions sought to express human psychology vivdly and violenty
umpredictable and erratic melodies
in the 1920s
new combinations of timbre
emerging in Germany
Modernism
emancipation of the rythym of the time signature and the use of irregular time signatures
the use of new sounds or noises in musical composition
expansion or abandoment of tonality
Reggae
appeared in Jamaica
end of 1960s
Bob Marley
Jimy Chiff
Gregory Isaacs
beats on the guitar
dominant role of the bass
left a mark on pop music
Musical Avant-Grades after 1950
some features of art music in this period
some composers created musical graphs to represent new universes of sound
atonality, serialism were developed
the main melody disappeared and texture become important
rythmically, the irregularityin the combinations of time signature
the introduction of new timbres
Serialism
Pierre Boulez
Karlheinz Stockhausen
Luigi Nono
Musique Concrète
Pierre Schaeffer
Pierre Henry
Edgar Varèse
Electronic Music
oscillators, noise generators, synthesizers and computers
Karlheinz Stockhausen
Mauricio Kagel
Luciano Berio
Aleatory Music
composers use chance as a means of creations and performances
BBruno mAderna
Pierre Boulez
John Cage
Minimalism
repetition of simple sound materials
Philip Glass
Steve Reich