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Ibsen and Rossetti, IBSEN 1879 AND ROSSETTI 1800s, Death - Coggle Diagram
Ibsen and Rossetti
Rossetti
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Remember
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"when you can no more hold me by the hand,"
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Maude Clare
"I'll love him till he loves me best, me best of all, Maude Clare
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No Thank You John
"here's friendship if you like; but love -- No, thank you, John"
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Good Friday
“O Christ, beneath Thy cross,
To number drop by drop”
“But seek Thy sheep, true Shepherd of the flock”
Goblin Market
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"Pleasure past and anguish past, Is it death or is it life?
"The wicked, quaint fruit-merchant men, Their fruits like honey to the throat, But poison in the blood Tender Lizzie could not bear To watch her sister's cankerous care, Yet not to share
Twice
“O my God, O my God;
Now let Thy judgment stand,--Yea, judge me now”
“This contemned of a man,
This marred one heedless day,
This heart take Thou to scan”
themes
men in power
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goblin market
"they trod and hustled her, elbowed and jostled her, clawed with their nails" - men in power
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“Pleasure past and anguish past, Is it death or is it life?” - death
‘Morning and evening
Maids heard the goblins cry: "Come buy our orchard fruits, Come buy, come buy”’ - exchange
“Tender Lizzie could not bear To watch her sister's cankerous care, Yet not to share.” - family
religion
twice
“O my God, O my God;
Now let Thy judgment stand--Yea judge me now" - religion
a birthday
"my heart is like a rainbow shell, that paddles in a halcyon sea" - religion
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good friday
“O Christ, beneath Thy cross,
To number drop by drop”- religion
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rebellion
winter: my secret
"perhaps there's none: suppose there is no secret after all, but only just my fun" - rebellion
maude clare
"I'll love him till he loves me best, me best of all, Maude Claire" - rebellion
redemption
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no thank you john
"here's friendship if you like, but love? no thank you john" - redemption
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guilt
in the round tower at jhansi, june 8 1857
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Ibsen context
ibsen was often attacked for his personal life as he believed that husband and wife should live as equals and had an equal marriage with his wife
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moved to italy in 1864 to avoid criticism in oslo, published a dolls house whilst there
norway had recently become independent, ibsen had been employed to write a distinct national drama, the play is written in norwegian which had only recently developed a written form
the rise of "the new woman" - mrs linde, a self-sufficient woman
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industrialisation created a new middle class. they often found their prosperity fragile, hence torvald being so freaked out by debt. women were able to get clerical jobs now
the harsh norwegian winter is prevalent throughout the play, cultural context
sociology had just been invented, linking to realism and naturalism in the theatre and art in general. the lives of ordinary people were reflected on stage
Rosetti context
Victorian era marked a rejection of romanticism, the change being in 1837
Rossetti still uses a lot of natural imagery, from the Romantic period
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father strongly against Christianity but Christina and siblings were raised protestant by their mother
all the rossetti children were raised to be largely self-sufficient, christina was a "new woman" like mrs linde
Victorians were pre-occupied with death, anyone could die of illness - times were uncertain
Ibsen
quotes by theme
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guilt
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‘Dr Rank! –don’t you feel ashamed of yourself, now the lamp has come?’ -Meta Theatre Nora
men in power
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‘You're joking, my little Nora! You won't? Am I not your husband?’
sex
‘My blood was on fire; I could endure it no longer, and that was why I brought you down so early–’ - Helmer
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exchange
‘If I lose my position a second time, you shall lose yours with me’ - Krogstad
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critics
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Nora realises she has always been controlled by other people's desires, not her own
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Nora's departure started a journey, and it is incumbent on us to keep it going
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Ibsen shows romantic love to be an illusion, inhibiting the free development of the individual
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The tarantella ironically underscores an independent woman's voluntary return to a patriarchal institution
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In closing the door on her husband and children, Nora opened the way to the turn of the century women's movement
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