Jasaw Chan K’awiil’s tomb (Temple 1, Tomb 116) at Tikal may have been replicated in the shrine atop the pyramid so that Jasaw’s son and successor, Yik’in Chan K’awiil (734–746 CE), who completed the building project, could communicate with his father buried underneath the structure. Features of the underlying tomb and the superstructure shrine exhibit many parallels. The shrine has three doorways with carved lintels, but the imagery would have been difficult to observe by firelight in situ. Yet, the two portraits of the dead king engraved on the lintel may have been situated so that the deceased king as ancestral spirit could float above the head of his son. Together, the person and lintel replicated scenes on earlier stelae, such as Tikal’s stela 31 (ca. 411–456 CE), and may represent the conjuring of the royal ancestor, especially since excavations of the thresholds show these were areas of focused ritual activity
House E at Palenque, which Carrasco suggests represents a “heavenly place.” The painted imagery on walls, doorways, and adjacent rooms suggests that movement through these spaces may have replicated the ability of rulers to move between realms. Originally built and dedicated by K’inich Janab Pakal (ca. 654 CE), the space was used for the accessions of later kings. The Oval Tablet shows the presentation of a headdress with symbols of royalty to Pakal by his mother. This relief is situated above a carved bench (Del Rio Throne) in such a way as to create “a composition that would allow for the virtual crowning of the sitter”