freeman presents power as a dialectical balance which is consciously maintained by Madagascar's president, Ravalomana. it is an exercise across space and time, of enacting seemingly opposed models of power, concurrently, power as agency, power as tradition, power as charisma to explore the role of physical and symbolic space as indicative of being in tune to contemporary need, desire, and traditional expectation. both presence and absence indicate power, but to different extents, as do gift and punishment, Ravalomana juggles these distances, expanding and decreasing the people's vicinity to his source of power to maintain their support but simultaneously uphold the spectacle and thereby reverence of power. Ravalomanana maintains this constant calculation and oscillation of space and vicinity to maintain the traditional and progressive spectacle, a transgression of space in the present to allude to being in tune with the past or future.