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drama and poetry, drama and poetry mark scheme, 75% 1a /// 50% 1b, 25%1a…
drama and poetry
rosetti
men in power
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goblin market
"they trod and hustled her, elbowed and jostled her, clawed with their nails" - men in power
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“Pleasure past and anguish past, Is it death or is it life?” - death
‘Morning and evening
Maids heard the goblins cry: "Come buy our orchard fruits, Come buy, come buy”’ - exchange
“Tender Lizzie could not bear To watch her sister's cankerous care, Yet not to share.” - family
religion
twice
“O my God, O my God;
Now let Thy judgment stand--Yea judge me now" - religion
a birthday
"my heart is like a rainbow shell, that paddles in a halcyon sea" - religion
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good friday
“O Christ, beneath Thy cross,
To number drop by drop”- religion
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rebellion
winter: my secret
"perhaps there's none: suppose there is no secret after all, but only just my fun" - rebellion
maude clare
"I'll love him till he loves me best, me best of all, Maude Claire" - rebellion
redemption
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no thank you john
"here's friendship if you like, but love? no thank you john" - redemption
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guilt
in the round tower at jhansi, june 8 1857
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context
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father strongly against christianity but christina and sblings were raised protestant by their mother
all the rossetti children were raised t be largely self-sufficient, christina was a "new woman" like mrs linde
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themes
revenge
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"If thou hast nature in thee, bear it not, let not the royal bed of Denmark be a couch for luxury and damned incest"
"Hast me to know't, that with wings as soft as meditation or the thoughts of love, may sweep to my revenge
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young Fortinbras, Laertes, and Hamlet were all looking to seize revenge on the death of their fathers.
critic quotes
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"The desire for vengeance is seen as part of a continuing pattern of human conduct" -Nigel Alexander
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interpretations
olivier
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sword cross to symbolise religion. sword used in peaceful manner, contrast of war and democracy
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quiet with violence, "whispers get thee to a nunnery"
cut ophelia's sexual songs, put in a white dress with no shoes, made innocent
"It stripped the play of its political elements and instead presented Hamlet as an alienated and hollow individual." unamed critic of olivier
brannaugh
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ophelia and hamlet kiss then hamlet gets violent and angry, polonius helps her
ophelia in straight jacket, humping air
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godwin, west african rsc
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hamlet rips head off of the toilet sign sticker he put on the throne, to show he's gonna kill claudius
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zefferelli, mel gibson
soliloquy at start, makes fuck all sense
hamlet isn't disturbed by polonius' death, in fact relieved
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ophelia very dry as soliloquy cut, because of hamlet at beginning
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williams 1995, unclear on who actually made it
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a dolls house
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context
ibsen
moved to italy in 1864 to avoid criticism in oslo, published a dolls house whilst there
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ibsen was often attacked for his personal life as he believed that husband and wife should live as equals and had an equal marriage with his wife
the rise of "the new woman" - mrs linde, a self-sufficient woman
norway had recently become independent, ibsen had been employed to write a distinct national drama, the play is written in norwegian which had only recently developed a written form
the harsh norwegian winter is prevalent throughout the play, cultural context
industrialisation created a new middle class. they often found their prosperity fragile, hence torvald being so freaked out by debt. women were able to get clerical jobs now
sociology had just been invented, linking to realism and naturalism in the theatre and art in general. the lives of ordinary people were reflected on stage
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quotes by theme
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guilt
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‘Dr Rank! –don’t you feel ashamed of yourself, now the lamp has come?’ -Meta Theatre Nora
men in power
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‘You're joking, my little Nora! You won't? Am I not your husband?’
sex
‘My blood was on fire; I could endure it no longer, and that was why I brought you down so early–’ - Helmer
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exchange
‘If I lose my position a second time, you shall lose yours with me’ - Krogstad
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