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ITALIAN RENAISSANCE, Italian peninsula, Palazzo Medici, Michelozzo di…

- - - - Brunelleschi
      - Alberti
    - - Ghiberti
      - Donatello
    - - Fra Angelico
      - Botticelli
      - Masaccio
  - - - Raphael Sanzio
      - Michelangelo
      - Leonardo da Vinci
    - - by painters
        
        Titian
        
        Giorgione
      - spread throughout Europe
      - In Venice
  - - - Venetians
        
        Veronese
        
        Tintoretto
      - Florentines
        
        Bronzino
        
        Pontormo
    - - Giambologna
      - Cellini
- - - - capitals
      - entablatures
  - - - an ornamental sunken panel
  - - - triangular element of architecture
  - - - Villa La Rotonda
    - - Saint Peter's Basilica
    - - Tempietto di San Pietro
- - - - oil technique
        
        to paint on canvasses
        
        a piece of cloth used for oil painting
      - frescoes and tempera
        
        picture that is painted on a wet plastered wall
        
        a process of painting with egg yolk
    - - Reliefs were replaced
        
        contemplated from all angles
        
        by freestanding sculptures (three dimensions)
      - expensive materials (marble)
  - - - Equestrian portraits
      - increase in nobles, clergy and the upper bourgeoisie demands
    - - enormous accuracy and detail
      - substituted the gold backgrounds
    - - mythological themes from Classical Antiquity
  - - - Venuses by Giorgione and Titian
      - paintings in the Sistine Chapel
      - anatomy
    - - pyramidal composition
      - portrayed in proportion
      - arranged them symmetrically elements of a scene
    - - idealism
      - Mona Lisa by Leonardo da Vinci
      - reflected reality
  - - - revolutionary new technique: perspective
      - depth, volume, objects and figures
      - symmetry in the composition
    - - The School of Athens by Raphael Sanzio
        
        placing the figures to the background
        
        linear perspective
        
        Raphael Sanzio
        
        create depth are aerial perspective
        
        use contrasts of light and shadow
      - The Gates of Paradise
        
        create reliefs with various depths
        
        Lorenzo Ghiberti
    - - Florentine Sandro Botticelli
      - tempera technique
      - 15th century
        
        inspiration from classical mythology
- - - - diaphanous spaces
    - - symmetrical buildings
      - harmony
    - - not decorative features