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THE ITALIAN RENAISSANCE - Coggle Diagram

- - - - The new artistic style
        
        Originated in
        
        Small Italian states
  - - - By patrons
        
        This paid them for their work
        
        Medici in
        
        Florence
        
        Sforza in
        
        Milan
        
        Popes of
        
        Rome
        
        Julius II
        
        Leo X
        
        Alexander VI
  - - - Classical Greek Roman
        
        Culture
        
        Main reasons
        
        Arrival in Italy of Greek scholars
        
        Abundance of Roman remains
- - - - End of the Middle Ages
  - - - 15th century
      - Most important sculptors
        
        Donatello
        
        Ghiberti
      - Most important architects
        
        Brunelleschi
        
        Alberti
      - Florence
        
        New Renaissance innovations appeared
        
        Proportion
        
        Harmony
      - Most important painters
        
        Masaccio
        
        Fra Angelico
        
        Botticelli
    - - 16th century
      - Rome
        
        Artistic centre
      - Importants
        
        Michelangelo
        
        Leonardo da Vinci
        
        Raphael Sanzio
      - Venice
        
        New style
        
        By painters
        
        Giorgione Titian
        
        Spread throughout Europe
    - - Early features of the Renaissance
        
        Appear
      - First artist
        
        Giotto
      - 14th century
        
        End of Gothic art
    - - Harmony Proportion
        
        Abandoned
      - Most important painters
        
        Florentines
        
        Bronzino
        
        Pontormo
        
        Venetians
        
        Tintoretto
        
        Veronese
      - In 1530
        
        In Italy
      - Sculptors
        
        Giambologna
        
        Cellini
- - - - Church of San Lorenzo
        
        In Florence
        
        Brunelleschi
    - - Entablatures
      - Classical capitals
    - - Façade of the Basilica Santa Maria Novella
    - - Notable examples
        
        Saint Peter's Basilica
        
        In Rome
        
        Michelangelo
        
        Florence Cathedral
        
        Brunelleschi
    - - Square plan
        
        Villa La Rotonda
        
        By Andrea Palladio
      - Circular plan
        
        Tempietto di San Pietro
        
        By Bramante
      - Saint Peter's Basilica
        
        By Bramante
        
        Shape of a Greek cross
  - - - Greek and Roman art
        
        Adopted
  - - - Found in
        
        Italian cities
    - - Civil architecture
        
        More important
        
        Because
        
        Increased wealth of the bourgeoisie
    - - Hospitals
        
        Ospedale degli Innocenti
        
        Florence
        
        By Brunelleschi
      - Squares
        
        Piazza del Campidoglio
        
        By Michelangelo
      - Theatres
        
        Teatro Olimpico
        
        Venice
        
        By Andrea Palladio
      - Town halls
      - Libraries
        
        Laurentian Library
        
        Florence
        
        By Michelangelo
      - Urban palaces
        
        In Florence
        
        Palazzo Medici
        
        Michelozzo di Bartolomeo
        
        Palazzo Pitti
        
        Brunelleschi
        
        Plazzo Rucellai
        
        Leon Batista Alberti
      - Rural villas
        
        Villa La Rotonda
        
        By Andrea Palladio
    - - Achieve the harmony of classical architecture
    - - Open
        
        Diaphanous spaces
        
        Be seen in public squares
      - Simplicity
        
        Didn't use many decorative features
      - Proportion
        
        Buildings
        
        Symmetrical
        
        Different parts
        
        Evenly distributed
        
        Not as tall as Gothic
        
        To maintain harmony
        
        Between
        
        The horizontal and vertical elements
- - - - Ancient
        
        Continued
        
        In painting
        
        Tempera
        
        On wooden panels
        
        Frescoes
        
        On walls
      - Eventually
        
        New oil technique
        
        Adopted
        
        Consisting
        
        Mixing oil with mineral pigments
        
        Paint on cloth canvasses
    - - More expensive materials
        
        Marble
        
        Used
        
        Frequently
      - Reliefs
        
        Replaced
        
        Freestanding sculptures
        
        Three dimensional representations
  - - - New interests of society
    - - The human body
        
        Revived the nude as a subject
        
        Had been abandoned
        
        In Middle Ages
        
        Italian painters Sculptors
        
        Interested
        
        Anatomy of the human body
        
        Examples
        
        By Giorgione and Titian
        
        Venuses
        
        By Michelangelo
        
        Paintings
        
        Sistine Chapel
        
        Statue of David
      - Idealism and serenity
        
        Idealism can be seen in
        
        Perfect faces Bodies
        
        Depicted
        
        Botticelli and Raphael Sanzio
        
        Famous for
        
        2 more items...
        
        Influenced by
        
        Ideas of the Greek philosopher Plato
        
        Michelangelo
        
        Portrayed
        
        Intense emotions in his works
        
        Painters Sculptors
        
        Reflect reality
      - The search for balance and proportion
        
        Used a pyramidal composition
        
        Studied the elements
        
        Arranged them symmetrically
        
        Of a scene
  - - - More portraits
        
        Demand from
        
        Clergy
        
        Nobles
        
        Upper bourgeoisie
        
        Equestrian portraits
        
        Became popular
      - Themes related to
        
        Mythological
        
        Christianity
        
        Adopted
        
        Classical Antiquity
      - Nature, landscapes and buildings
        
        Became
        
        Defining feature of all compositions
        
        Substituted
        
        Gold backgrounds
        
        Portrayed
        
        Enormous accuracy
        
        Detail
  - - - Use of oil paints
      - Perspective
  - - - Volume to
        
        Scenes
        
        Objects
        
        Figures
      - Introduced
        
        Perspective
      - Sculpture
        
        Perspective was achieved
        
        Creating reliefs with various depths
      - Representation of reality
      - The Gates of Paradise
        
        By Lorenzo Ghiberti
    - - Tempera technique
      - Painted by
        
        Florentine Sandro Botticelli
        
        15th century
      - Inspiration from classical mythology
      - The patron
        
        Was a member of
        
        Medici family
      - Birth of Venus
        
        Beauty
        
        Marriage
        
        Love
      - Many features
        
        Can be seen in
        
        The Birth of Venus
      - Clear symmetry
    - - The School of Athens
        
        By Raphael Sanzio
      - Linear perspective
      - To create depth
        
        Blurring the background
        
        Aerial perspective
        
        Using contrasts of light and shadow
      - Perspective
        
        Achieved
  - - - New mentality
    - - Way the subjects
        
        Realistically represented