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ITALIAN RENAISSANCE - Coggle Diagram

- - - - Raphael Sanzio
      - Michelangelo
      - Leonardo da Vinci
    - - Venice
      - Giorgione, Titian
  - - - Bronzino
      - Pontormo
    - - Tintoretto
      - Veronese
    - - Cellini
      - Giambologna
  - - - Brunelleschi
      - Alberti
    - - Ghiberti
      - Donatello
    - - Masaccio
      - Fra Angelico
      - Botticelli
- - - - perspective
      - oil paints
  - - - interested anatomy of human body
      - revived the nude
    - - studies elements scene
      - arranged symmetrically
      - guided the view of observer
      - figures portrayed in proportion
    - - influenced by ideas of philosopher Plato
      - ideal beauty
  - - - expensive materials (marble)
      - were used frequently
      - reliefs were replaced
    - - ancient techniques continued to used
        
        frescoes
        
        tempera
      - new techniques
        
        oil technique adopted
        
        used to paint on cloth canvasses
  - - - due demand from nobles, clergy, upper bourgeoisie
      - equestrian portraits became popular
    - - substituted the gold backgrounds
      - defining feature of compositions
      - portrayed enormous accuracy, detail
    - - in addition to Christianity
      - from Classical Antiquity
- - - - leaved Constantinople
      - brought classic works
    - - abundance
      - new archaeological remains
- - - - because wealth bourgeoisie
      - civil architecture
    - - hospitals
      - theaters
      - squares
      - libraries
      - town halls
      - rural villas
      - urban palaces
    - - open
        
        diaphanous
        
        (public squares)
      - proportion
        
        buildings symmetrical
        
        evenly distriibuted
      - simplicity
        
        not many
        
        decorative features
    - - achieve harmony
      - of classical architecture