In this film, Jarman presents audio with a blue screen only: there are no visual interruptions to this blue. The film is about the AIDS pandemic, and the loss felt by Jarman in seeing his own community die around him, as well as in waiting for his own death to AIDS. This unendingness of blue here represents not only the unending depth of his grief for his community, but also the aspect of waiting -- just as we wait for the next thing, for the blue screen to end, Jarman is also waiting for death to come, and it feels as though this wait is, like blue, endless.
