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Cinema in the History of Media, Trigonometry, Global, bull's eye…
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Trigonometry
was used in
linear perspective
is based on
"implicit (and later entirely explicit) assumption of an infinite universe, which corresponded to an infinitely distant vanishing point in every single perspective painting"
(Kittler, 2.1, 50)
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ensures
"that all of the lines, corners, and proportions in an image appear exactly the same as the image they reproduce on the retina"
(Kittler, 2.1, 59)
was explained by
the movement of
(Kittler, 2.1, 58)
in
1527's Befestingungslehre (The Theory of Fortification)
(Kittler, 2.1, 58)
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was used in
artwork
created by
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Filippo Brunelleschi
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may have invented the
(Kittler, 2.1, 60-61)
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military and colonial navigation of ships
(Kittler, 2.1, 52)
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was visually automated by
(Kittler, 2.1, 52)
camera obscura
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"combined for the first time"
(Kittler, 2.1, 63)
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allowed for a "perfect" and "automatic"
(Kittler, 2.1, 52)
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is turned "inside out" by the
(Kittler, 2.2, 70)
lanterna magica
works by
(Kittler, 2.2, 70)
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produced
an enlarged image
(Kittler, 2.2, 71)
of
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"illusions"
(Kittler, 2.2, 73)
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"the technical device that re-presents representation itself (instead of reality)"
(Kittler, 2.2, 75)
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was developed by
Arabic mathematicians (Kittler, 2.1, 52)
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Gutenberg letterpress
allowed for
printed materials
which
made available
(Kittler, 2.1, 66-67)
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technical drawings
which
"set other media free" (Kittler, 2.1, 67)
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with
The Image
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stored
Photography
relies on
light-storing chemicals
(Kittler, 3.1, 121)
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was designed in part by
(Kittler, 3.1, 127)
Joseph Niepce
experimented with
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William Henry Fox Talbot
used paper soaked in
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introduced
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