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Sonic Narrative, NEUROESTETICA :, Crossmodal methaphors, sound design,…

- - - - Immersion stands for the objective level of sensory
      - presence is the subjective psychological response of a user
        
        VR in a vein similar to Blascovich and Bailenson (2011) when referring to any form of mediated reality, including but not limited to oral and written storytelling, representational paintings, sculptures, theatre, photographs, and film
        
        [Virtual Reality (VR) and Immersive Virtual Reality (IVR).]
        
        “the perceptual illusion of nonmediation” presence is the illusion occurring when an individual erroneously takes something mediated as real and responds accordingly.
  - - - presence as social richness relates to a medium’s ability to produce a sense of intimacy and immediacy during acts of interpersonal communication.
    - - Social realism* refers to “the extent to which a media portrayal is plausible or ‘true to life’ as it reflects events that do or could occur in the nonmediated world,”*
      - *perceptual realism refers to the extent to which mediated artifacts appear like their real world counterparts*
    - - [perceptual illusions involving spatial repositioning of real or virtual objects.]
        
        **“You are there” involves the feeling of being transported to some other location Link Title, virtual presence (Sheridan 1992), or physical presence (Biocca 1997; IJsselsteijn 2000))
        
        **“It is here” involves transportation of virtual or real objects and environments to the user and is related to the notion of object presence**
        
        *“We are together” is used to describe how two or more users may experience the sensation of being transported to some shared location. The latter is sometimes referred to as copresence*Link Title.)
    - - Perceptual
        
        Perceptual immersion is achieved by substituting for the stimuli originating within the real world artificial stimuli through head-mounted displays, spatialized sound systems, haptic gloves and shoes, and simi- lar technological innovations.
      - Psychological
        
        Presence as psychological immersion is thus measur- able presence based on the amount of attention allocated to the virtual environment as opposed to events in the real world
    - - “users’ perceptions and the resulting psychological processes lead them to illogically overlook the mediated or even artifi- cial nature of an entity within a medium and attempt to interact with it”
    - - users may respond to the medium itself almost as they would to another human being (e.g., a user who has been misdirected by a satellite navigation system, may respond by scolding
- - - - come?
        
        attivazione attenzionale del soggetto
        
        Embodied Cognition
        
        l’apprendimento multipercettivo permette di valutare come il sistema motorio e percettivo influenzi la cognizione e potenzi capacità e connettività cerebrali:
        
        Nei musei....= scompenso affettivo ed emozionale, dovuto alla semplice interazione visiva con l’oggetto. vedi Sindrome di Stendhal o sindrome da “hyperkulturemia
        
        L’interazione del soggetto con l’oggetto da osservare
        
        processi cognitivi sia di tipo top down
        
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        tipo bottom up
        
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- - - - Y
        
        Z
        
        Continuity
        
        sonic presence
        
        silence
        
        Symbol (metaphoric / symbolic)
        
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        space-time
        
        Spatio-Temporal Congruency
        
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        (The perception of rhythmic structures gains its impact from temporal attention guiding) Why is it not connected to the rhythmic tho? Because in this taxonomy space-time category refers to the surrounding (ambience))
        
        orienting reflex or orienting response
        
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        timber
        
        mood
        
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        harmony
        
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        The Auditory Scene
        
        In the 1950’s, Miller showed in a famous meta-study that the maximum number of objects that can be perceived consciously and simultaneously is typically 7 ±2
        
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        trasmutation
        
        resonance
        
        rhythm
        
        inattentional deafness
        
        specific meaningful sound outside the focus of attention – so to say an “inaudible gorilla” in the soundscape – can emotionally intensify the audience’s experience of a film scene
        
        “inaudible gorillas”
        
        Discontinuty
        
        Attention
        
        temporal attention
        
        spatial attention
        
        control the conscious perception
        
        semantic attention
        
        the attention can focus on a specific part of a complex message (e.g. on the melody played by the soloist, but then one might miss what the celli are playing)
        
        Distension
        
        Extension
        
        tension-resolution
        
        Consonant ?
        
        Dissonant ?
        
        Harmony
        
        Surrounding
        
        time
      - Rhythm
      - Resonance
      - Silence
      - Timber