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Debussy wider listening - Coggle Diagram

- - - - Movement 2 - Nigun
        
        emotional power and mystical fervor of Hassidic song
        
        Nigun means melody in yiddish and often uses wordless vocals
      - Movement 3- Simhat Torah
        
        follows immediately upon the weeklong biblical pilgrimage Festival of Sukkot
      - Movement 1 - vidui
    - - named after the founder of the Hassidic movement, Rabbi Israel ben Eliezer
        
        reaction against orthodox Judaism
  - - - the opening violin motif is identical to a phrase from Ashkenazi biblical cantillation
      - enormous spectrum of pitch and dynamics; powerful rhythms contrasting with passages of fluid recitative; fusions of tonality and modality
      - flowing violin melodies
      - varied dynamics
      - sequences
      - conjunct
    - - dissonant chords
      - chromaticism
      - extended chords
    - - wide pitch range of piano and violin
      - vibrato
      - slides
    - - melody and accompiament
    - - variations in tempo
      - cross rhythms
- - - - starts in free time
      - time sig changes
      - Taiko rhythm
      - syncopation
      - lombardic rhythms
      - triplets
    - - shimmering string chords
      - sustained chords behind xylophone solo
    - - ostinatos
      - xylophone scalic runs
      - range of dynamics
      - countermelody in trombone
      - climax at end
    - - high tessitura flute
      - homophonic string crescendo tremolo section - scary
      - brass sound like bees
- - - - slow tango-like, syncopated bass line
      - dotted-rhythm accompaniment
      - syncopation
      - cross rhythms
      - rit
    - - switches between the minor and major modes
      - extended chords
      - pedal notes
      - extended chords
      - parallel harmony
      - spread chords
    - - piano only
    - - ostinatos
      - extreme dynamics
      - repetition
      - legato
      - disjunct
    - - melody and accompaniment
      - polyphonic
- - - - leitmotifs
      - scalic runs
      - legato string melodies
      - ornamentation
      - countermelodies
      - imitation
      - sequences
    - - lush harmonies typical of the impressionist movement in music
      - stacked 4th and 5th chords
      - pedal notes
      - chromaticism
      - held chords
    - - full orchestra
      - wide tessitura
      - arco strings
      - varied dynamics
      - harp glissandos
    - - syncopation
      - Dionysian rhythms
        
        franetic
      - irregular metres
    - - builds at beginning, becomes polyphonic
      - becomes homorhtyhmic