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Contemporary
Art
image, "Otherness", Experimental Film,…
Contemporary
Art
"Otherness"
Investigations of "Otherness" covers works of– political substance, exploration of "otherness", institutional critique and anti-blackness, gender, calls to radical change
Bell Hooks
Frantz Fannon
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Experimental Film
Paul Sharits
abrasive: rapid cutting, strobe flashing, violent imagery and hypnotic audio repetition
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Peter Tscherassky
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Isaac Julien
Discussing ideas of space and location, navigating living in the in-between, and reclaiming the "margins"
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"The Attendant" 1993
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Drawing attention to the fetishisation of Black men throughout history, giving implications of both race critique and celebration of BDSM and Queer sexual liberation
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Material Investigations
Cameron Rowland
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Dean Gillispie
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"As long as the black man is
among his own, he will have
no occasion, except in minor
internal conflicts, to experience his being through others.”
The identity dilemma of being Black, while being Black in response and regards to white people
"the subject can be posed only in being opposed – he sets himself up as the essential, as opposed to the other, the inessential, the object."
Complexities of Black representation in the media. Portrayals of joy, violence, and despair
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19th Century silhouette style, depicting racist imagery and narratives
flat paper, with no details showing emotion, facial expression or eyes, leaves the viewer unable to access the internal lives/ souls of the figures. the flat paper translates to a flattening of the characters and Black personhood in general
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Micheal Snow
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"It is therefore not a question of whether images are the surfaces of materials or the contents of electromagnetic fields But a question of the extent to which they arise from material, as opposed to formal, thinking and seeing. Whatever 'material' may mean, it cannot mean the opposite of 'immaterial'."
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Betye Saar
themes of: spirituality, history emotions, womanhood, Black identity
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Zanele Muholi
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Chrissie Iles
"The pictorial space created· by Renaissance linear perspective, where a fixed vanishing point dictated a singular position for the viewer, had endured for more than four hundred years. Beginning in the mid-nineteenth century the viability of this unmoving station was challenged, and by the 1960s, it was physically dismantled by Minimalism. Minimalist artists engaged the viewer in a phenomenological experience of objects in relation to the architectural dimensions of the gallery-not to pictorial space-transforming actual space into a perceptual field,"
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"Choosing The Margin as a Space of Radical Openness", 1989
Black Skin, White Masks– The Fact of Blackness, 1996
Arthur Jafa, Love is the Message, The Message is Death, 2016
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Experimental Film cover works of– avant-garde cinema in the late 1900's, defiance cinematic norms, pushing the boundaries of film medium, plays on a lack of coherent narrative, projected image, moving image instalation
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Simone De Beauvoir
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Material Investigations covers works of– mixed media, use of unconventional materials, materials that support the artworks concept
Douglas Gordon
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Amber Cowan
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45 minute straightforward documentation, slow zoom in on a single room
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Vilem Flusser
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