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Creativity Industries …
Creativity Industries
"The creative mind"
There are eight types of creative contributions which accept current paradigms and attempt to extend them.
The replication attempt to show that the field is in the right place.
The redefinition talks about the current status seen from different points of view.
About the advanced forward incrementation, it refers by moving beyond where others are ready for it to go.
The forward incrementation attempt to move the field forward in the same direction.
The redirection attemot to move the field towards a different directions.
The reconstruction attempt to move the field back to where it was once so it can move forward from that first point in a different direction.
The reinitiation attempt to move the field to a different as yet linreached starting point and then move.
About the synthesis, it attempt to integrate different creative contributions.
Creativity is defined from three components which are:
Creative ideas must represent something different, new, or innovative.
Creative ideas must be high quality.
Creative ideas must be appropriate to the task at hand or to some redefinition of that task.
The Creative Process. In this part, they proposed a model of the cognitive creative process. According to the five-stage models, you first use preparation to being work on a problem. Next comes incubation, in which you may work on other things while your mind thinks about the problem. In intimation, you realize you are about to have a breakthrough. Then you have insight into the illumination phase. Finally, with verification, you test, develop and use your ideas.
Another idea is that creativity occurs when different elements are associated together to form new combinations Creative individuals are assumed to be able to make meaningful, useful associations between disparate concepts and ideas to a greater extent than relatively uncreative individuals.
The creative person
The investment theory of creativity argues that creative thinkers are like good inventors: they buy low and sell high. Whereas investors do so in the world of finance, creative people are like undervalued stocks, and both the stocks and the ideas are generally rejected by the public.
When creative ideas are proposed, they often are viewed as bizarre, useless, and even foolish, and are summarily rejected. The person proposing them often is regarded with suspicion, and perhaps even with disdain and derision.
The investment theory and the componential theory include personality as a key factor in thinking about creativity. Unsurprisingly, hundreds of studies have been devoted to the relationship between personality and creativity.
Eysenck suggested that psychoticism is linked to creativity. Barron and others at the Institute for Personality assessment and Research also studied relations between creativity and personality.
When examining creativity and personality beyond the openness-to-experience factor, this type of discrepant pattern often emerges. Creative artists are unlikely to be conscientious. This finding was consistent across rated creativity and biographical data.
Expertise, knowledge, and intelligence
Attaining greatness in any given field requires a substantial amount of knowledge and practice. On average, this process of acquiring expertise in an area requires approximately ten years from entering a field to making any kind of substantial contribution.
Just as in personality, there are some aspects of expertise acquisition that are consistent across creative domains and other distinct aspects. There are, of course, some differences. In domains where creative excellence may entail very similar work- especially performance areas such as chess, sports, or playing music.
The relationship between intelligence and creativity, unlike that between knowledge and creativity, does not focus on the direction of the relationship.
Within creativity theories, however, intelligence typically plays a key role. The central debate is concerning the extent and intensity of the relationship.
Types of individual creative contributions
The contributions propel the field forward. although the eight types of contributions may differ in the extent of the creative contribution they make.
Certain types of creative contributions probably tend, on average, to be greater in amounts of a novelty than are others.
Creativity also involves the quality of work, and the type of creativity does not make any predictions regarding the quality of work.
